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Perfection's Therapy
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of ...
Albrecht Dürer
An exploration of the life and works of German artist Albrecht Dürer and his self-obsession. The Italian Renaissance birthed the modern sense of self, and no artist from the period compares with Albrecht Dürer (1471–1528) in terms of the almost obsessive interest he displayed in his own life. Dürer’s works are filled with personal details from his day-to-day, his dreams, and his escapades. In this brief biography, David Ekserdjian explores Dürer’s life and times—his studies, travels, and influences—as well as his paintings, drawings, and prints. This book is essential reading for anyone interested in Renaissance or Northern European art.
An Italian Journey
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Man, Myth, and Sensual Pleasures
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
The Appearance of Witchcraft
Shortlisted for the 2008 Katharine Briggs Award. For centuries the witch has been a powerful figure in the European imagination; but the creation of this figure has been hidden from our view. Charles Zika’s groundbreaking study investigates how the visual image of the witch was created in late fifteenth- and sixteenth-century Europe. He charts the development of the witch as a new visual subject, showing how the traditional imagery of magic and sorcery of medieval Europe was transformed into the sensationalist depictions of witches in the pamphlets and prints of the sixteenth century. This book shows how artists and printers across the period developed key visual codes for witchcraft, such...
Albrecht Dürer and the Epistolary Mode of Address
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex tra...
Mortal Thoughts
Mortal Thoughts is a study of the question of human identity in the early modern period. It examines literature alongside emerging forms of life writing and life drawing and self-portraits and considers portrayals of mortality and the moment of death.
Renaissance Monks
This volume deals with the intellectual world of “progressive” Benedictine and Cistercian monks who vicariously represent humanists in cloisters (Klosterhumanismus, Bibelhumanismus) in German speaking lands: Conradus Leontorius (1460-1511), Maulbronn, Benedictus Chelidonius (c. 1460-1521), Nuremberg and Vienna, Bolfgangus Marius (1469-1544), Aldersbach in Bavaria, Henricus Urbanus (c. 1470-c. 1539), Georgenthal in the region of Gotha and Erfurt, Vitus Bild Acropolitanus (1481-1529), Augsburg, Nikolaus Ellenbog (1481-1543), of Ottobeuren. For the first time in historical-theological research, new insights are provided into the world of the “social group” called Monastic Humanists who emerged next to the better known Civic Humanists within the diverse, international phenomenon of Renaissance humanism.
Enduring Loss in Early Modern Germany
Cross-disciplinary perspectives on responses to material and spiritual loss in early modern Germany trace how individuals and communities registered, coped with, and made sense of deprivation through a spectrum of activities, often turning loss into gain and acquiring agency.
Reforming Saints
In Reforming Saints, David J. Collins explains how and why Renaissance humanists composed Latin hagiography in Germany in the decades leading up to the Reformation. Contrary to the traditional wisdom, Collins's research uncovers a resurgence in the composition of saints' lives in the half century leading up to 1520. German humanists, he finds, were among the most active authors and editors of these texts. Focusing on forty Latin depictions of German saints written between 1470 and 1520, Collins finds patterns both in how these humanists chose their subjects and how they presented their holiness. He argues that the humanist hagiographers took up the writing of saints' lives to investigate Ger...
