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"One of the finest biographies of an artist I have ever read."—John Ashbery
Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period - one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (1918-19...
Arshile Gorky traces the progress from apprentice to master of the man Andre Breton called 'the most important painter in American history.'
It has become an accepted truth: after World War II, American Jews chose to be silent about the mass murder of millions of their European brothers and sisters at the hands of the Nazis. In a compelling work sure to draw fire from academics and pundits alike, Hasia R. Diner shows this assumption of silence to be categorically false.
The first half of the 19th Century spawned one of the most exciting concentrations of artists and artistic innovation in history. The French impressionists opened the door to creative freedoms never before experienced, and a community rich in artistic and intellectual talent coalesced to forever change the direction of art. This book documents more than 150 artists who worked, studied, and exhibited in Paris between 1890 and 1950. Many of them have been completely overlooked by scholars and art historians. Their work encompasses the La Belle Epoque, Postimpressionist, Cubist, and School of Paris movements. More than 375 color images of their paintings document this fabulous cultural explosion, and also present a visual time capsule, showing the populace at work and at play in bars, cabarets, and jazz clubs, even scenes of the artists' own studios. This book has been a labor of love; many years in the making. Collectors, curators, and historians will find it an invaluable tool for understanding the art of this period. By documenting artists who have not been written about for many years, the authors offer insight to their paintings, which can still be acquired at equitable prices.
Louise Nevelson (18991988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in czarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimchers archives, Nevelsons personal assistant, Diana Mackown, and Lippincott studios, where much of Nevelsons work was cast, among others.
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Includes section "The great calendar of American exhibitions."
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