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Swiss Made
Why has Switzerland - a tiny, land-locked country with few natural advantages - become so successful for so long at so many things? In banking, pharmaceuticals, machinery, even textiles, Swiss companies rank alongside the biggest and most powerful global competitors. How did they get there? How do they continue to refresh themselves? Does the Swiss 'Sonderfall' (special case) provide lessons others can learn and benefit from? Can the Swiss continue to perform in a hyper-competitive global economy? Swiss Made offers answers to these and many other questions about the country as it describes the origins, structures and characteristics of the most important Swiss companies. The authors suggest success is due to a large degree to sound entrepreneurial thinking and an openness to new ideas. And they venture a surprising forecast on the country's ability to keep pace in an age of globalisation.
The Commandant of Auschwitz
The renowned WWII historian’s definitive biography of the notorious German SS officer convicted of war crimes for his role in the Holocaust. Described as one of the greatest mass-murderers in history, Rudolf Höss was the longest-serving commandant of the Auschwitz concentration and extermination camps in Nazi-occupied Poland. He was one of the chief architects behind Hitler’s Final Solution. In The Commandant of Auschwitz, Volker Koop details Höss’s military career, his conversion to Nazi ideology, and his ruthless commitment to the Nazi cause. At the age of fourteen, Höss joined the 21st Regiment of Dragoons and rose through the ranks to become the youngest non-commissioned officer...
The Reception of the Legend of Hero and Leander
This book is a study of the literary reception of the originally Greek love-story of Hero and Leander, examining the nature of the tale and demonstrating its longevity and huge popularity from classical times to the present, in a great variety of different genres. Chapters consider the classical versions (Ovid, Musaios, Martial), medieval and renaissance versions in various European languages, folk and literary ballads (and even a pop song), the lyric, dramatic versions, settings to music, burlesques and travesties in all genres, modern reflections of the story in (experimental) literary forms.
Schumann's Music and E. T. A. Hoffmann's Fiction
Four of Schumann's great masterpieces of the 1830s - Carnaval, Fantasiestücke, Kreisleriana and Nachtstücke - are connected to the fiction of E. T. A. Hoffmann. In this book, John MacAuslan traces Schumann's stylistic shifts during this period to offer insights into the expressive musical patterns that give shape, energy and individuality to each work. MacAuslan also relates the works to Schumann's reception of Bach, Beethoven, Novalis and Jean Paul, and focuses on primary sources in his wide-ranging discussion of the broader intellectual and aesthetic contexts. Uncovering lines of influence from Schumann's reading to his writings, and reflecting on how the aesthetic concepts involved might be used today, this book transforms the way Schumann's music and its literary connections can be understood and will be essential reading for musicologists, performers and listeners with an interest in Schumann, early nineteenth-century music and German Romantic culture.
The Scottish Enlightenment and Hegel’s Account of ‘Civil Society’
The present study, which investigates the influence of the Scottish Enlightenment on Hegel's account of 'civil society' or "biirgerliche Gesellschaft", is based on my PhD thesis, submitted to the University of Cambridge in September 1983. Its publication provides me with a welcome opportunity to acknowledge the help and encouragement I have received over the years from scholars, friends, and relations. At the Ruhr University of Bochum where I began my studies, I am indebted to Professor Otto Poggeler (Director of the Hegel Archives), to the other, past and present members of staff at the Hegel Archives, and to Professors Jiirgen Gebhardt, Jiirgen von Kempski, Heinz Kim merle; and Leo Kofler....
Of Essence and Context
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overl...
German Expressionist Theatre
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
A History of Modern Drama, Volume I
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Scholarly Editing and German Literature: Revision, Revaluation, Edition
Scholarly Editing and German Literature: Revision, Revaluation, Edition offers international perspectives on the process, products and impacts of a commonly overlooked aspect of literary scholarship – scholarly editing contributions range from medieval to contemporary, correspondence to poetry, their forms from reports on works in progress to theoretical considerations. Bodo Plachta's observation that schools of scholarly editing in North America and Europe share a common origin and a basic set of common premises opens the volume and serves as an introduction to the five thematic groups: Material and Extralinguistic Elements and the Construction of Meaning, The Process of Editing and Editing Process, Edition and Commentary, Editing and Similar Second-Order Processes and Textual Creation, Edition and Canon(ization). Contributors: Peter Baltes, Kenneth Fockele, Nikolas Immer, Lydia Jones, Melanie Kage, Monika Lemmel, Claudia Liebrand, Ulrike Leuschner, Elizabeth Nijdam, Nina Nowakowski, Rüdiger Nutt-Kofoth, Gaby Pailer, Bodo Plachta, Jeremy Redlich, Annika Rockenberger, Catherine Karen Roy, Per Röcken, Johannes Traulsen, and Thomas Wortmann.
