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Renowned 20th-century authors Moberly and Jourdain describe a visit they made to the Petit Trianon, a small château on the grounds of the Palace of Versailles. At the chateau, they see the chilling sight of the gardens as they had been in the late eighteenth century. Moberly and Jourdain cross paths with several terrifying ghosts of famous figures including Marie Antoinette.
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the...
Jean-Paul Morot, and his charming wife Jeanne-Marie, are privileged servants at the Court of Louis XIV, The Sun King. Jean-Paul holds the position as first assistant to the famed Landscape Architect, Andre Le Notre. Jeanne-Marie is First Seamstress to Louis XIV’s Queen, Marie-Therese. Each of them does exceptionally talented work and is held in high regard at Versailles, where balls, concerts, lavish suppers, and ballet-plays keep the courtiers in an endless round of extravagant pleasures. Yet if the Court were to discover that Jean-Paul and Jeanne-Marie are of the Reformed Faith, that is that they are Protestants, they could lose their positions, and even find themselves imprisoned. While they are quiet about their religious persuasions, their immediate relatives in another town have suffered dearly for being discovered. Will Jean-Paul and Jeanne-Marie escape the persecution within France? Can friends and colleagues assist them, not merely for themselves but also for their new baby daughter? Or will Jean-Paul and Jeanne-Marie join family members in the merciless galleys and the pitiless workhouse?
Spontaneous self-cloning or clonality is a widespread phenomenon in the plant kingdom, and has a wide array of ecological and evolutionary implications. This volume is the outcome of an international workshop on clonal plant biology aimed at illustrating current progress and recent developments in the scientific study of clonality in plants. The first section of this book includes a collection of original research articles which demonstrate the wide variety of approaches and scientific challenges linked to clonality in plants. The topics covered in this section include ecological and evolutionary implications of sexual versus asexual propagation, including life-history evolution and sex-rati...
In The Perraults, Oded Rabinovitch takes the fascinating eponymous literary and scientific family as an entry point into the complex and rapidly changing world of early modern France. Today, the Perraults are best remembered for their canonical fairy tales, such as "Cinderella" and "Puss in Boots," most often attributed to Charles Perrault, one of the brothers. While the writing of fairy tales may seem a frivolous enterprise, it was, in fact, linked to the cultural revolution of the seventeenth century, which paved the way for the scientific revolution, the rise of "national literatures," and the early Enlightenment. Rabinovitch argues that kinship networks played a crucial, yet unexamined, ...
From the PREFACE.IT is a great venture to speak openly of a personal experience, and we only do so for the following reasons. First, we prefer that our story, which is known in part to some, should be wholly known as told by ourselves. Secondly, we have collected so much evidence on the subject, that it is possible now to consider it as a whole. Thirdly, conditions are changing at Versailles, and in a short time facts which were unknown, and circumstances which were unusual, may soon become commonplaces, and will lose their force as evidence that some curious psychological conditions must have been present, either in ourselves, or in the place.It is not our business to explain or to understand--nor do we pretend to understand --what happened to put us into communication with so many true facts, which, nine years ago, no one could have told us of in their entirety.
This volume celebrates the career of archaebotanist Professor Gordon C. Hillman. Twenty-eight papers cover a wide range of topics reflecting the great influence that Hillman has had in the field of archaeobotany. Many of his favourite research topics are covered, the body of the text being split into four sections: Personal reflections on Professor Hillman's career; archaeobotanical theory and method; ethnoarchaeological and cultural studies; and ancient plant use from sites and regions around the world. The collection demonstrates, as Gordon Hillman believes, that the study of archaebotany is not only valuable, but vital for any study of humanity.
DOES MUSIC CONTAIN EMOTION? DOES MUSIC HAVE MEANING? These questions are at the heart of musical experience, for performers, amateurs, teachers and audiences. Michelene Wandor’s readable and provocative book ranges from the early music revival, via the Doctrine of Affects to today’s historical performance practice. Surveying key musicological texts, the book includes interviews with conservatoire teachers and performers, including Sir Roger Norrington. The book argues for the power of music, encouraging everyone to think about what music means – to them personally, as an art form and as a rich experience to be enjoyed.
On August 10, 1901, two English ladies decided to visit the Palace of Versailles for what was anticipated to be an ordinary day of sightseeing. However, on that fateful day, a series of mysterious encounters occurred. When the ladies visited Queen Marie Antoinette’s Petit Trianon, both were later convinced they had stepped back in time to the eighteenth century. One of the ladies even believed she had witnessed the queen herself! Were the ladies encounters a case of mistaken identity and confusion, or did they unknowingly step back in time to walk along paths from a bygone era at Versailles?