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Reproduction of the original.
In this volume, 15 contributions discuss the role or roles of early modern ('literacy' and non-literary) forms of theatre in the formation of public opinion or its use in making statements in public or private debates.
The tale of the lively and imaginative Anne has captivated generations of readers, transporting them to the quaint setting of Green Gables, an old-fashioned farmstead outside Avonlea in Canada. Freshly married, Anne and Gilbert move to Four Winds Point, where Gilbert takes over his uncle’s medical practice. Anne befriends neighbour Leslie Moore, who struggles with a disabled husband and squandered dreams, deeply contrasted by Anne’s vivacity and freedom. However, Anne’s life is soon marred by tragedy and the two lean on each other in their struggles. Anne’s House of Dreams is the fifth book in the series about Anne of Green Gables. L. M. MONTGOMERY [1874-1942] was a Canadian author. She grew up with her grandparents in Cavendish and began writing at an early age. In 1908, her debut novel, Anne of Green Gables, was published, marking the first installment in what would become one of the most beloved children’s and young adult book series ever. The book has been translated into around 36 languages and sold over 50 million copies.
Kitty Killin is not only a good storyteller, but also the World's Greatest Expert when it comes to mothers having new and unwanted boyfriends. Particularly when there's a danger they might turn into new and unwanted stepfathers...
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
This volume was first published by Inter-Disciplinary Press in 2014. Play has always had a special place in the world and for much of our literate history has been seen as capturing the true essence of the individual and the surrounding culture. All of the chapters in this book express the sentiment that we can see in play the embodiment of human beings as well as our societal cultures. This is evident in our aesthetic transcendent and everyday play experiences – in the literature we read, the theatre we attend, the games we play, the art we experience, and in the way our lives are organized by powerful others and societal license. And, as several chapters illuminate, play is the world we construct to express our opposition to the pluralistic and controlling world we live in – a way to express our individuality and create an interval, a transient haven. The chapters in this book encourage the reader about a reflective way of thinking about play that preserves, contemplates, and clarifies how play embodies our selves and our cultures.
Ten original essays on English drama from Tudor times onwards examines different aspects on the development of this art form.
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