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Set in the year 1948, this novel is about the life of two families during the inter-war years. Instead of seeing William at odds with adults, we are shown the matriarchs around whom their families spin; but whether they direct their children gently or forcefully, in the end they have to accept them as they are.
Though firmly rooted in the Middle Ages, Arthurian legend has captivated readers since Caxton and Malory and continues to thrive today. By looking at contemporary reworkings of Arthuriana, this book explores the intersection of popular fiction and feminist discourses in Western society. It examines selected Arthurian novels and short stories by such women writers as Fay Sampson, Mary Stewart, Gillian Bradshaw, and Marion Zimmer Bradley to analyze the textual strategies that articulate feminist ideas. While these texts maintain continuity with established literary traditions through the replication of conventions, their reworking of women's roles encourages readers to engage liberal feminist ideology. The book first gives an overview of theories of popular fiction, feminism, and reading. It then surveys the medieval texts on which the Arthurian tradition is founded and which the contemporary texts rewrite. The chapters that follow discuss how popular contemporary women writers have reworked Arthurian legend through their narrative strategies and their representation of female character types, such as the royal woman and the magical woman.
A collection of original stories about the noises, dreams, and shadows of the night that frighten and beguile the imagination.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Art...
Biographical reference providing information on individuals active in the theatre, film, and television industries. Covers not only performers, directors, writers, and producers, but also behind-the-scenes specialists such as designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain.
"You love me, Lady Green. Even as I love you." Gwyneth wasn't supposed to fall in love with Gawain. Not like this. Gawain was the May King—a sacrifice offered to the Goddess for a bountiful harvest in return. Gwyneth knows this. His fate has been decided by powers beyond her control. But the warmth of his touch and the taste of his lips have blurred the lines of what she knows to be true. Now Gwyneth is willing to risk everything to keep Gawain alive, even if it means losing him forever... In truth, in very truth, I do... "A famous knight must rely on a woman to comprehend the chivalric virtues in this subversive and deliciously witty feminist retelling of Sir Gawain and the Green Knight." —Publisher's Weekly "The book is unique in its presentation of Lady Green as a strong female character, and many teens will identify with the choice she made for love." —School Library Journal "In her fine reworking of the medieval poem Sir Gawain and the Green Knight, Crompton explores honesty, promise-keeping, honor, and the power of women. Recommended." —Library Journal
How have major civilizations of the last two millennia treated people who were attracted to their own sex? In a narrative tour de force, Louis Crompton chronicles the lives and achievements of homosexual men and women alongside a darker history of persecution, as he compares the Christian West with the cultures of ancient Greece and Rome, Arab Spain, imperial China, and pre-Meiji Japan. Ancient Greek culture celebrated same-sex love in history, literature, and art, making high claims for its moral influence. By contrast, Jewish religious leaders in the sixth century B.C.E. branded male homosexuality as a capital offense and, later, blamed it for the destruction of the biblical city of Sodom....
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