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Provides a new perspective on the documentary diversity of Muriel Rukeyser's work and influences. This study of twentieth-century American poet Muriel Rukeyser explores the multiple avenues of her 'poetics of connection' to reveal a profound engagement with the equally intertextual documentary genre. It examines previously overlooked photo narratives, poetry, prose and archival material and demonstrates an enduring dialogue between the poet's relational aesthetics and documentary's similarly interdisciplinary and creative approach to the world. By considering the sources of documentary in Rukeyser's work, the study provides insight into her guiding poetic principles, situating her as a vital figure in the history of twentieth-century American literature and culture, and as a pioneering personality in the development of American Studies.
A History of American Working-Class Literature sheds light not only on the lived experience of class but the enormously varied creativity of working-class people throughout the history of what is now the United States. By charting a chronology of working-class experience, as the conditions of work have changed over time, this volume shows how the practice of organizing, economic competition, place, and time shape opportunity and desire. The subjects range from transportation narratives and slave songs to the literature of deindustrialization and globalization. Among the literary forms discussed are memoir, journalism, film, drama, poetry, speeches, fiction, and song. Essays focus on plantation, prison, factory, and farm, as well as on labor unions, workers' theaters, and innovative publishing ventures. Chapters spotlight the intersections of class with race, gender, and place. The variety, depth, and many provocations of this History are certain to enrich the study and teaching of American literature.
This collection of essays is the first to address this often obscured dimension of modern and contemporary poetry: the secular Jewish dimension. Editors Daniel Morris and Stephen Paul Miller asked their contributors to address what constitutes radical poetry written by Jews defined as "secular," and whether or not there is a Jewish component or dimension to radical and modernist poetic practice in general. These poets and critics address these questions by exploring the legacy of those poets who preceded and influenced them--Stein, Zukofsky, Reznikoff, Oppen, and Ginsberg, among others.
Chinese women's writing is rich and abundant, although not well known in the West. Despite the brutal wars and political upheavals that ravaged twentieth-century China, the ranks of women in the literary world increased dramatically. This anthology introduces English language readers to a comprehensive selection of Chinese women poets from both the mainland and Taiwan. It spans the early 1920s and the era of Republican China's literary renaissance through the end of the twentieth century. The collection includes 245 poems by forty poets in elegant English translations, as well as an extensive introduction that surveys the history of contemporary Chinese women's poetry. Brief biographical head notes introduce each poet, from Bin Xin, China's preeminent woman poet in the early Republican period, to Rongzi, a leading poet of modern Taiwan. The selections are startling, moving, and wide-ranging in mood and tone. Together they present an enticing palette of delightful, elegant, playful, lyric, and tragic poetry.
Science Between Myth and History explores scientific storytelling and its implications on the teaching, practice, and public perception of science. In communicating their science, scientists tend to use historical narratives for important rhetorical purposes. This text explores the implications of doing this.
Exposes and challenges the common assumptions about whom and what Jews are, by presenting in their own voices, Jews of color from the Iberian Peninsula, Asia, Africa, and India. Kaye/Kantrowitz delves into the largely uncharted territory of Jews of color and argues that Jews are an increasingly multiracial people. From publisher description.
"Walt Whitman, though not a Jewish poet, has served as a crucial figure within the tradition of Jewish American poetry, starting in the mid-nineteenth century, until today. However, the genealogy of Jewish American poets responding to Whitman is wider and more nuanced than often recognized. Due to Allen Ginsberg's overt adoption of Whitman, it is often believed that Ginsberg is the only Jewish American poet to have engaged with Whitman's poetic style and democratic ethos. This book reveals how the lineage of poets responding to Whitman extends far beyond Ginsberg, and that Ginsberg himself receives Whitman through earlier Jewish American poets, like Charles Reznikoff. This project presents s...
How do we love people who we are afraid of? The political climate of the US in recent years has revealed significant divisions in our nation and our neighborhoods, divisions often fueled by fear. For those who follow a call and commitment to love our neighbors, how do we love in the midst of this fear? In this book, Cassie Trentaz looks that question in the eyes and asks her friends and neighbors in four communities currently facing pressure and often viewed with suspicion--immigrants, Muslim Americans, LGBTQ+ people, and young African American men--what feels like love to them and, alternatively, what does not. Trentaz brings their honest, heartfelt responses in their own words, helping us to know people we might not know and bringing us powerful stories of offerings of love that were received as love as well as stories of good intentions that missed their mark. She then offers us tools to help us act on what we hear. This book is both an invitation and a toolbox for listening. It takes love from a good idea to a concrete force that can speak to our fears, reach across divisions, and just might heal our world.
Since its origin, American literature has always had an uneasy relationship with science: born at a time when science was becoming a profession, it repeatedly referred to it, implicitly or explicitly, in order to assert its difference or, on the contrary, to gain a certain form of legitimacy. The purpose of this book is to show how scientific discourse informs literary writing, and to consider the relationship the two types of discourse have maintained: mutual metaphorization, questioning or legitimating. Focusing on the literary production of the United States in the 20th and 21st centuries, the book is organized in four parts: the first one, which concerns the works of Henry Adams and Thom...
Our Emily Dickinsons situates Dickinson's life and work within larger debates about gender, sexuality, and literary authority in America. Examining Dickinson's influence on Marianne Moore, Sylvia Plath, Elizabeth Bishop and others, Vivian R. Pollak complicates the connection between authorial biography and poetry that endures.