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1863 - Mexique Interpellé par les services de renseignements, Ivan Chtov, un écrivain russe, se retrouve malgré lui sur le continent américain. Blessé au cours du siège de Puebla, il est sauvé par Marie. Sur fond d'un périlleux voyage initiatique à travers l'Amérique du Nord où s'entremêlent romance, espionnage, anciennes légendes et religions, Ivan va découvrir les étranges pouvoirs de sa compagne. Fruit de quatre années de documentation et de voyages, ce récit uchronique de G.F. Spencer est un échantillon de ce que fut l'Amérique du Nord du XIXe siècle, du point de vue de ses croyances chrétiennes, indiennes et vaudou.
Kirkus Discoveries book review: Part devotional guide, part encyclopedia, Saints and Blesseds of the Americas will find a welcome place on the shelves of a new generation of Catholics. Ewalds tidy collection provides an exhaustive, country-by-country listing of all the Catholic saints and blesseds of the Western world. In Catholic theology, saints serve as intercessors between humanity and God; blessedsthose who have undergone the process of beatificationare only one step away from becoming saints. Believers pray to either for aid in any number of life pursuits. Perhaps the most gratifying aspect of this catalogue is the fact that it is extremely up to date. Ewald provides not only the saint...
This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror ...
Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art ove...
This ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field.
This comparative study examines the prose writings of the best-known cosmopolitan authors of the Third French Republic: the modernists Jean Giraudoux, Valery Larbaud and Paul Morand, and the best-selling popular writer Maurice Dekobra. It investigates what constituted the 'cosmopolitanism' that they publicly proclaimed between the World Wars, a classification which has been widely accepted by commentators ever since. In particular, it considers whether conventional definitions of cosmopolitanism - as an unproblematic attitude of xenophilia coupled with wanderlust, or as an ecumenical humanism - can co-exist with the blind spots and prejudices of its practitioners. This book offers a comprehensive reinterpretation of the writers' identity politics based on their approach to Otherness (gender, race, nationality, political affiliation) as well as to formal innovation. It argues that cosmopolitanism is the organizing principle for their literary and existential attempts at cultivating authentic Selfhood. Through its socio-political embeddedness, this cosmopolitanism reveals the ideological and cultural preoccupations of the day.