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My Nine Lives
The stirring memoir of one of the greatest pianists of the postwar era—an inspiring tale of triumph over crippling incapacity that rivals Shine. The pianist Leon Fleisher—whose student–teacher lineage linked him to Beethoven by way of his instructor, Artur Schnabel—displayed an exceptional gift from his earliest years. And then, like the hero of a Greek tragedy, he was struck down in his prime: at thirty-six years old, he suddenly and mysteriously became unable to use two fingers of his right hand. It is not just Fleisher’s thirty-year search for a cure that drives this remarkable memoir. With his coauthor, celebrated music critic Anne Midgette, the pianist explores the depressio...
The King and I
In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin. The two of them hit it off and thus began a professional association and a friendship that lasted over 36 years. The King and I is the story of that relationship, during which Breslin guided what he calls, justifiably, 'the greatest career in classical music', moving Pavarotti out of the opera house and into the arms of the mass public. He and Pavarotti changed the landscape of opera and Breslin relates the story of their journey in a candid, witty fashion that is often hysterically frank and profane. His portrait of his friend and client is full of hilarious details that could only come from a true insider. The King and I is the ultimate backstage book about the greatest opera star of the past century - and the last word comes from none other than Luciano Pavarotti himself.
Women, Music and Leadership
Women, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music. Women have always participated in music as performers, teachers, composers and professionals, but remain underrepresented in leadership positions. Covering women’s leadership across a wide variety of roles and musical genres, this book addresses women in classical music, gospel, blues, jazz, popular music, electronic music and non-Western musical contexts, and considers women working as composers, as conductors, and in music management and the music business. Eac...
Counterpoint: A Memoir of Bach and Mourning
A Pulitzer Prize–winning critic’s “lyrical and haunting” (Alex Ross, The New Yorker) reflection on the meaning and emotional impact of a Bach masterwork. As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn’t seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach’s music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer’s greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight thro...
Loving Music Till It Hurts
Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?
Golden Years of the National Symphony Orchestra
Golden Years of the National Symphony Orchestra: Stories and Photographs of Musicians and Maestros presents a rich and intimate perspective of the orchestra as it evolved in prominence and international expanse throughout the past nine decades. Through hundreds of stunning photographs captured by NSO violinist William Haroutounian, the tenure of seven NSO conductors, major guest artists, and NSO members are brought to life, giving a rare and exciting glimpse of musical life on stage, backstage, and on tour. Alongside these photographs are experiences from the members themselves, pieced together by Joanne Haroutounian. Humorous stories of mishaps during rehearsals and performances balance with some of the most historically significant moments in classical music history—from Mstislav Rostropovich’s return to Russia with the NSO and sheer excitement of the mobs to the sudden death of Gina Bachauer minutes before she was scheduled to perform in Athens. The book memorializes this rich and varied history and will enhance an appreciation for concert life.
Far From The Tree
**WINNER OF THE WELLCOME BOOK PRIZE 2014** A NEW YORK TIMES BESTSELLER Sometimes your child - the most familiar person of all - is radically different from you. The saying goes that the apple doesn't fall far from the tree. But what happens when it does? Drawing on interviews with over three hundred families, covering subjects including deafness, dwarfs, Down's Syndrome, Autism, Schizophrenia, disability, prodigies, children born of rape, children convicted of crime and transgender people, Andrew Solomon documents ordinary people making courageous choices. Difference is potentially isolating, but Far from the Tree celebrates repeated triumphs of human love and compassion to show that the shared experience of difference is what unites us. Winner of the National Book Critics Circle Award for General Non-fiction and eleven other national awards. Winner of the Green Carnation Prize.
Industry
Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers--David Lang, Michael Gordon, and Julia Wolfe--nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new publ...
Sing for Your Life
A New York Times bestseller A New York Times Notable Book A Washington Post Notable Book A Publishers Weekly Book of the Year As seen on CBS This Morning, NPR's Fresh Air, and People Magazine A New York Times Book Review Editor's Choice A Publishers Weekly Best Book of the Year A Library Journal Nonfiction Pick of September The New York Times bestseller about a young black man's journey from violence and despair to the threshold of stardom. "A beautiful tribute to the power of good teachers."--Terry Gross, Fresh Air "One of the most inspiring stories I've come across in a long time."--Pamela Paul, New York Times Book Review Ryan Speedo Green had a tough upbringing in southeastern Virginia: h...
The Modernist Legacy: Essays on New Music
This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.
