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The Münter House in Murnau
This is a museum guide to Gabriele Munter and the blue Rider artists in their original location in Murnau, Germany.
Alfred Kubin
Kubin is irrefutably one of the most original talents of his generation. Whether painting directly from his hallucinatory visions or illustrating the works of such literary giants as Balzac, Poe, Dostoevsky, and Gogol, Kubin eschewed the decorative artistry of earlier Austrian art. Instead, he was drawn to life's dark undertones, represented in his work through his morbid subject matter and frenetic style. Filled with horrific yet fully realized imaginings that were eerily prescient of the era to come, this volume is certain to introduce Kubin to a wider audience perhaps to an entire generation who see in art a way to contend with the upheaval and tribulation of their own time.
The Blue Rider in the Lenbachhaus, Munich
Works by Kandinsky, Marc, and Klee are avant-garde icons known the world over. The Lenbachhaus in Munich, Germany, possesses the world's finest collection of works by these artists.
Wassily Kandinsky
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Klee, Kandinsky
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Gabriele Münter
German Expressionist M nter (1877-1962) was one of the co-founders of The Blue Rider artists group and was Wassily Kandinsky companion. Largely unknown outside Germany, her reputation eclipsed by male contemporaries, M nter's work was the subject of a 2005 exhibition at the Courtauld Institute of Art Gallery, London, for which this catalogue was pr
Women Artists in Expressionism
A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde culture Women Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century. Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used print...
Knowledge, Spirit, Law: Book 2: The Anti-capitalist Sublime
Knowledge, Spirit, Law, Book 2: The Anti-capitalist Sublime takes up where Knowledge, Spirit, Law, Book 1: Radical Scholarship (2015) left off, foremost in terms of a critique of neo-liberal academia and its demotion of the book in favor of various mediatic practices that substitute, arguably, for the one form of critical inquiry that might safeguard speculative intellectual inquiry as long-form and long-term project, especially in relationship to the archive or library (otherwise known as the "public domain"). This ongoing critique of neo-liberal academia is a necessary corrective to processes underway today toward the further marginalization of radical critique, with many of the traditiona...
Max Liebermann
This is the first English-language examination of the German impressionist painter Max Liebermann, whose long life and career spanned nine decades. Through a close reading of key paintings and a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion F. Deshmukh illuminates Liebermann’s importance as a pioneer of German modernism.
The Age of Atheists
Examines atheism as a modern intellectual achievement that has motivated individuals to pursue invention and self-reliance, citing the accomplishments of secular philosophers, scientists, and artists who have worked in the absence of religious belief.
