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After One Hundred Years
This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910. It offers new ideas and unpublished material on the exhibition's historical context, organization, display, reception in the West and its later influence on the study of Islamic art.
Islamic Art
The art which arose from the seventh century in the Islamic empires reached from Spain and Morocco to the borders of China. This vividly illustrated collection examines the contributions of the different countries and how they influenced each other.
The Oxford Handbook of Late Antiquity
The Oxford Handbook of Late Antiquity offers an innovative overview of a period (c. 300-700 CE) that has become increasingly central to scholarly debates over the history of western and Middle Eastern civilizations. This volume covers such pivotal events as the fall of Rome, the rise of Christianity, the origins of Islam, and the early formation of Byzantium and the European Middle Ages. These events are set in the context of widespread literary, artistic, cultural, and religious change during the period. The geographical scope of this Handbook is unparalleled among comparable surveys of Late Antiquity; Arabia, Egypt, Central Asia, and the Balkans all receive dedicated treatments, while the ...
The Oxford Handbook of the Baroque
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
Dynamis of the Image
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Abraham's Luggage
A single, unique document - a list of one merchant's baggage - is the starting point used to bring to life the twelfth-century Indian Ocean. Drawing connections between material culture, foodstuffs and the construction of identity, Lambourn examines notions of home and mobility at a key moment in world history.
The Arts of the Mamluks in Egypt and Syria
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Babylonian Jews and Sasanian Imperialism in Late Antiquity
From the image offered by the Babylonian Talmud, Jewish elites were deeply embedded within the Sasanian Empire (224-651 CE). The Talmud is replete with stories and discussions that feature Sasanian kings, Zoroastrian magi, fire temples, imperial administrators, Sasanian laws, Persian customs, and more quotidian details of Jewish life. Yet, in the scholarly literature on the Babylonian Talmud and the Jews of Babylonia , the Sasanian Empire has served as a backdrop to a decidedly parochial Jewish story, having little if any direct impact on Babylonian Jewish life and especially the rabbis. Babylonian Jews and Sasanian Imperialism in Late Antiquity advances a radically different understanding of Babylonian Jewish history and Sasanian rule. Building upon recent scholarship, Simcha Gross portrays a more immanent model of Sasanian rule, within and against which Jews invariably positioned and defined themselves. Babylonian Jews realized their traditions, teachings, and social position within the political, social, religious, and cultural conditions generated by Sasanian rule.
Legacies of Colonialism in Museum Collections
This groundbreaking book tells the untold story of Indonesian Islam in museums. Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention it deserves in museum collections and exhibitions. This book unravels the historical silences rooted in Dutch colonial rule that have marginalized Indonesian Islamic material culture. Delving into the colonial archives, it traces the journey of Indonesian objects in Dutch museums, exploring their original meanings and their re-appropriation during instances of collecting, classification, interpretation and public display. Through this lens, the book addresses the enduring impacts of colonialism and offers pathways for the decolonization of museums today.
Where Kingship Descended from Heaven
From 1923 to 1933, the Chicago Field Museum and the University of Oxford conducted archaeological excavations at the site of Kish, located on the floodplain of the Euphrates River in modern Iraq approximately 80 kilometers south of Baghdad. Over the course of ten years of work, the expedition explored seventeen different mounds both inside and outside the ancient boundaries of Kish. The finds were divided at the end of each season, with the Iraq Museum retaining half of the objects and any one-of-a-kind items and the two excavating institutions splitting the remainder. Beginning in 2004, the Field Museum undertook a reevaluation of its Kish holdings. To highlight new research and insights in...
