You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
Reprint of the original, first published in 1860.
Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard’s work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard’s innovative scholarship situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and publi...
"You may be on the journey of being old, yet you're still alive and being renewed day by day. That's right! If you woke up this morning, God has something eternally important and purposeful for you to do or learn. This humorous collection of 'pep talks' will have you bouncing out of bed, raring to go. Get ready to recharge your batteries with a healthy dose of hope, joy, and motivation for living life to its fullest."--Back cover.
The early twentieth century witnessed the emergence of Scottish and Quebec nationalisms that were closely intertwined with liberal philosophies. The Young Scots' Society and the Ligue nationaliste canadienne carried these liberal nationalist ideas. This book offers a comparative and historical examination of their ideas and politics, exploring the Young Scots as a movement, as well as the ideas of key Nationalistes. James Kennedy argues that the growth of the Young Scots' Society and the Ligue nationaliste canadienne was largely in response to changes within empire, state, and civil society. He suggests that the actions of the British Empire and the Canadian state not only prompted nationali...
Émile Nelligan (1879–1941) wrote all of his poetry as an adolescent, before spending four decades in a psychiatric asylum. Considering all of Nelligan's work and using a largely textual approach, Émile Talbot points out the Canadian roots of Nelligan's originality. He argues that these are discernable despite Nelligan's use of the discourse of nineteenth-century continental French poetry, particularly that of the Parnassians and the Decadents. Talbot's textual analysis is integrated with a consideration of the social, cultural, artistic, and religious climate of both late nineteenth-century Montreal and the European literary culture to which Nelligan was responding. Talbot considers such pertinent factors as the spirituality of guilt, the role of the mother, and a societal context that rejected both the revelation of the self and the autonomy of art. In doing so he sheds new light on Nelligan's use of European poetic language to fashion a poetry marked by his own culture.