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Some pirates are big and strong, some are tall and thin and cunning. Pirates can come in many different shapes and sizes but... all pirates are very, very wicked!!! So, if you want to be a pirate, then you'll need a hat, a spotty hanky, sea boots (or boot if you only have one leg!) earrings... and this book has all necessary ideas and hints and instructions to help.
The little girl in this story likes to wear red clothes all the time - no matter what she looks like Each day, she struggles with her mum to be allowed to wear her favourite clothes.
In Saturn Peach, Lily Wang establishes a distinctive voice that is part heartbreak and part wise witness chronicling the strangeness of a technologized world. When asked to describe her book, Wang answered in her quintessential way, "There are things I never want to know but always know. Every day I live with them. Every day I live. I am like a young fruit. Like a peach, common, not the popular kind but oblate, saturn. I live and inside me this pale fruit, yellow and white. I take bites out of myself and share them with you. Maybe you taste like me. Maybe you hold this fruit and become a tree." If ever there were a book that disarmingly - and seemingly effortlessly - encouraged its reader to become a metaphor, then Saturn Peach is it.
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Into a world where it often seems nobody is listening comes a poignant story that celebrates the power of silence. “Why are you so quiet?” Her teacher implores it, her classmates shout it, even her mom wonders it. Everyone, it seems, is concerned for Myra Louise. So, in search of an answer to the tiresome question nobody will stop asking, she invents a listening machine. If the raindrops, or the crickets, or the dryers at the laundromat can tell her why they’re so quiet, maybe Myra Louise can finally make everybody understand. But the more she listens, the less interested she becomes in finding any answer at all. Because Myra Louise comes to realize that all she really needs is someone else to listen alongside her. With gorgeous illustrations from Risa Hugo, Jaclyn Desforges’s first picture book champions introversion and the value of being a listener, a thinker, and an observer in our increasingly loud world.
La Diablesse, the woman with one foot and one hoof, who steals babies, comes to a country house with a new baby, but Granny could be too wise for her.
Part coming of age, part call to action, this fast-paced #ownvoices novel about a Deaf teenager is a unique and inspiring exploration of what it means to belong. Smart, artistic, and independent, sixteen year old Piper is tired of trying to conform. Her mom wants her to be “normal,” to pass as hearing, to get a good job. But in a time of food scarcity, environmental collapse, and political corruption, Piper has other things on her mind—like survival. Piper has always been told that she needs to compensate for her Deafness in a world made for those who can hear. But when she meets Marley, a new world opens up—one where Deafness is something to celebrate, and where resilience means taking action, building a com-munity, and believing in something better. Published to rave reviews as Future Girl in Australia (Allen & Unwin, Sept. 2020), this empowering, unforgettable story is told through a visual extravaganza of text, paint, collage, and drawings. Set in an ominously prescient near future, The Words in My Hands is very much a novel for our turbulent times.
After his veterinarian takes him in, Teelo learns to live with his noisy fellow creatures following a scary sea kayaking trip that teaches him to appreciate his new home.
Another laugh-out-loud book from the author of The Paper Bag Princess! “Hey you dumb pigs!” When Megan lets all of the pigs out of the pen, they start to take over, and show her that they may not be so dumb after all. A newly designed Classic Munsch picture book introduces this tale of underestimated livestock to a new generation of young readers.
The poems in Annick MacAskill's debut collection No Meeting Without Body are confident and crisp. Departing from works of art and literature, historical figures, myth, and anecdote, her poems draw the reader into their subjects with unaffected frankness and intimacy, answering society's most reductive forces with a resistance rooted in the dignity of human connection.