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La mobilité – la capacité à se déplacer ou à être déplacé – est un élément si omniprésent dans la vie moderne qu’elle est tenue pour acquise, presque imperceptible en raison de sa constante présence. Dans Mobilités culturelles – Cultural Mobilities, des chercheurs du Canada et du Brésil, écrivant en anglais et en français, s’interrogent sur l’impact et l’influence qu’a la mobilité sur les dynamiques culturelles au sein de leurs deux pays et entre eux. Explorant le mouvement – des gens, des idées et des créations culturelles – et les processus qui affectent ce mouvement, ils apportent de nouvelles perspectives sur la manière dont la mobilité structure ...
Choreographing the North examines 11 contemporary dance pieces that perform northern culture, landscape, folklore, and ideas of "North." The choreographers, from Canada, the United States, the United Kingdom, Belgium, Luxembourg, Australia, and Argentina, translate their real or imagined journeys to the North for stage and/or screen. This book examines the ways Indigenous subjects and subjectivities have been diminished and/or distorted and considers how that diminishment has fuelled misrepresentation both inside and outside the field of contemporary dance. Where Indigenous presence is represented in dances about the North, it is as discarnate storytellers or “everyman” pastoral figures ...
The essays collected in offer close analysis of an array of cultural representations of the Canada–US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel. The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been ro...
This introductory textbook familiarizes students with ideas of key thinkers and perspectives related to postmodern thought and everyday life. The book is unique in that it offers selections from key passages of works of important thinkers as well as from some of the author's own publications that serve as examples of how to interpret various aspects of culture. The book draws in readers with its engaging and conversational style and use of cases, illustrations and photographs, including fun discussions on everyday life under pandemic restrictions. This is a must read for students taking courses in sociology, cultural anthropology, culture and media studies, linguistics, social philosophy, and for specific courses on postmodernism.
Présente vingt-trois essais consacrés à l'art français et francophone depuis 1980, en proposant une analyse critique d'une cinquantaine d'artistes aussi divers que des écrivains, photographes, peintres.
Considering a wide range of craftspeople, materials, and forms, The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings.
Depicting Canada’s Children is a critical analysis of the visual representation of Canadian children from the seventeenth century to the present. Recognizing the importance of methodological diversity, these essays discuss understandings of children and childhood derived from depictions across a wide range of media and contexts. But rather than simply examine images in formal settings, the authors take into account the components of the images and the role of image-making in everyday life. The contributors provide a close study of the evolution of the figure of the child and shed light on the defining role children have played in the history of Canada and our assumptions about them. Rather than offer comprehensive historical coverage, this collection is a catalyst for further study through case studies that endorse innovative scholarship. This book will be of interest to scholars in art history, Canadian history, visual culture, Canadian studies, and the history of children.
In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.
Image and Inscription features the work of many of Canada’s distinguished authors, critics, curators, and artists who are recognized for their contribution to the discourse and practice of photography... it presents the diversity and the changeable milieu of photographic practice and evokes an unanticipated moment in Canadian photography. It also represents an important step in expanding the contemporary authorship on photography in Canada." - adapted from the Introduction by Robert Bean
Regina's Secret Spaces: Love and Lore of Local Geography is an anthology of essays and poems by eighty writers, artists, architects, musicians, patrons of the arts, and cultural theorists who were inspired by and answered the call of editors Lorne Beug, Anne Campbell and Jeannie Mah to share their favourite "Regina secret." Some submissions were quirky and whimsical, delighting in those things -- small, yet significant -- which bring joy and connect us to the place we live; others were more serious and more theoretical, examining power structures -- both past and present -- and how these have shaped and are yet shaping the city. Reflective, engaging and insightful, all express an abiding fondness for the city of Regina.