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Annie Chartres Vivanti
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.
Marie Tarnowska
Annie Vivanti Chartres (1868-1942), an Italian author, wrote this account of the notorious affairs, trial and conviction of Marie Tarnowska.
The Devourers
A gentle blue February was slipping out when March tore in with screaming winds and rushing rains. He pushed the diffident greenness back, and went whistling rudely across the lands. The chilly drenched season stood still. One morning Spring peeped round the corner and dropped a crocus or two and a primrose or two. She whisked off again, with the wind after her, but looked in later between two showers. And suddenly, one day, there she was, enthroned and garlanded. Frost-spangles melted at her feet, and the larks rose. Valeria borrowed Edith's garden-hat, tied it under her chin with a black ribbon, and went out into the young sunshine across the fields. Around her was the gloss of recent gree...
Marie Tarnowska
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Devourers
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A Window on the Italian Female Modernist Subjectivity
This collection of essays surveys some of the artistic productions by female figures who stood at the forefront of Italian modernity in the fields of literature, photography, and even the theatre, in order to explore how artistic engagement in women informed their views on, and reactions to the challenges of a changing society and a ‘disinhibiting’ intellectual landscape. However, one other objective takes on a central role in this volume: that of opening a window on the re-definition of the subjectivity of the self that occurred during an intriguing and still not fully studied period of artistic and societal changes. In particular, the present volume aims to define a female Italian Modernism which can be seen as complementary, and not necessarily in opposition, to its male counterpart.
The Outrage
"The Outrage" from Annie Vivanti. Italian poet (1866-1942).
Marie Tarnowska
DigiCat Publishing presents to you this special edition of "Marie Tarnowska" by Annie Vivanti. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Reframing Translators, Translators as Reframers
This collection explores the notion of reframing as a framework for better understanding the multi-agent and multi-level nature of the translation process, generating new conversations in current debates on translational agency, authority, and power. The volume puts forward reframing as an alternative metaphor to traditional conceptualizations and descriptions of translation, which often position the process in such terms as transformation, reproduction, transposition, and transfer. Chapters in the book reflect on the translator figure as a central agent in actively moving a translated text to a new context, and the translation process as shaped by different forces and subjectivities when tr...
