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First Published in 2004. Modernizing Muscovy is a comprehensive account of seventeenth-century Russian history. It rejects the traditional interpretation of this era as the twilight of the Russian Middle Ages. By revealing important instances of dynamic change in the late Muscovite state, economy, and society, the book demonstrates the crucial importance of pre-Petrine reform in Russia’s transition to one of the great powers of the world. The book’s broad scope makes it a veritable encyclopaedia of late Muscovite history. It both synthesizes previous scholarship and breaks new ground in many important areas.
A study of the immensely popular "lives" of Christ and the Virgin in medieval France.
The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction.
This is a PDF based on the contents of a web site I’ve been working on for decades. I do not believe I will ever entirely finish it. But I wanted to make it available. Textual criticism is the process of recovering an ancient document from late and corrupt manuscript copies; New Testament Textual Criticism consists of trying to figure out what the New Testament originally said before scribes messed it up. Dedicated to Dr. Sally Amundson and Dr. Carol Elizabeth Anway and Lily. This version, from July 20, 2013, will probably be the last; the file is almost too large to edit.
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the n...
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The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and the...
"Janet Backhouse, who originally assembled the evidence that revealed this long-forgotten masterpiece, introduces the Hours of Louis XII and its cycle of miniatures. Thomas Kren discusses the book's provocative miniature of Bathsheba bathing within the context of the king's own taste and predilections and within the then-emerging genre of the female nude in French painting. Nancy Turner considers the importance of Bourdichon's painting and illuminating technique in the Hours of Louis XII in relation to his other work. Mark Evans examines the individual histories of each of the surviving portions of the book. Lastly, an appendix reconstructs the book's devotional contents and program of illumination."--BOOK JACKET.
People at all levels of medieval society were extremely fascinated by the strange and unknown in the world around them. They tried in various ways to cope with the unfamiliar mysterious, monstrous, marvellous, and miraculous forces in order to understand them and give them a coherent meaning. Voyages were undertaken to remote parts of Asia. Some journeys were real, while others were mere "armchair travels". Most people took the descriptions in travel accounts to be the ultimate truth about the mysterious places in lands far away from Europe. Scholars formed a general view of the God-created cosmos and its seemingly mysterious character, expressed in encyclopedic works, summae, and in medieval maps. Monsters, Marvels and Miracles examines such journeys and landscapes in the Middle Ages.