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Central to any interpretation of Wittgenstein’s later philosophy is an understanding of his philosophical method and the nature of the turn which characterises the evolution from his early to his later work. In the essays in Wittgenstein, Scepticism and Naturalism, Marie McGinn argues that this methodological shift has at its heart a highly distinctive form of naturalism, which has its roots in the works of Goethe. This form of naturalism emphasises achieving a clarified view of complex, natural phenomena in their natural setting, with a view to describing patterns and connections that are in plain view. Wittgenstein is seen as applying these methods to the task of conceptual clarification, whose aim is to dissolve philosophical problems and paradoxes. The essays cover the following topics: scepticism about the external world; scepticism about other minds; knowledge and belief; meaning and rule-following; psychological states and the distinctive first-person use of psychological concepts; the relation between the early and the later philosophy; and the nature of Wittgenstein’s naturalism.
This volume unites Peter Winch’s previously unpublished work on Baruch de Spinoza. The primary source for the text is a series of seminars on Spinoza that Winch gave, first at the University of Swansea in 1982 and then at King’s College London in 1989. What emerges is an original interpretation of Spinoza’s work that demonstrates his continued relevance to contemporary issues in metaphysics, epistemology and ethics, and establishes connections to other philosophers - not only Spinoza’s predecessors such as René Descartes, but also important 20th Century philosophers such as Ludwig Wittgenstein and Simone Weil. Alongside Winch's lectures, the volume contains an interpretive essay by David Cockburn, and an introduction by the editors.
'Intellectual Entertainments' consists of eight philosophical dialogues, each with five participants, some living, some imaginary and some dead. The dialogues take place either in Elysium or in an imaginary Oxford Common Room. Each historical figure speaks in his own idiom with a distinctive turn of phrase. The imaginary figures speak in the accent and idiom of their respective countries (English, Scottish, American, Australian). The themes are the nature of the mind and the relation between mind and body; the nature of consciousness and its demystification; the nature of thought and its relation to speech; and the objectivity or subjectivity of perceptual qualities such as colour, sound, smell, taste and warmth. Each participant presents a different point of view and defends his position against the arguments of the others. No philosophical knowledge is presupposed.
Portraits of Wittgenstein is a major collection of memoirs and reflections on one of the most influential and yet elusive personalities in the history of modern philosophy, Ludwig Wittgenstein. Featuring a wealth of illuminating and profound insights into Wittgenstein's extraordinary life, this unique collection reveals Wittgenstein's character and power of personality more vividly and comprehensively than ever before. With portraits from more than seventy-five figures, Portraits of Wittgenstein brings together the personal recollections of philosophers, students, friends and acquaintances, including Bertrand Russell, G. E. Moore, F. R. Leavis, A. J. Ayer, Karl Popper, Friedrich von Hayek, G...
In Hinge Epistemology, eminent epistemologists investigate Wittgenstein's concept of basic certainty or 'hinge certainty'. The volume begins by examining the salient features of 'hinges': Are they propositions that enjoy a special kind of non-evidential justification? Are they objects of knowledge or ways of acting mistaken for known propositions? Various attempts are then made to integrate hinges in the development of a viable epistemology: Can they shed light on the conditions of satisfaction for knowledge and justification? Do they offer a solution to scepticism? Finally, the application of hinges is explored in such areas as common knowledge and intellectual loyalty. The volume attests to the importance of hinge certainty and Wittgenstein's On Certainty for mainstream epistemology.
Peter Hacker’s Insight and Illusion is a thoroughly comprehensive examination of the evolution of Wittgenstein’s thought from the Tractatus to his later ‘mature’ phase. This is a reprint of the revised and corrected 1989 edition, with a new foreword by Constantine Sandis. Hacker’s book is now widely regarded as the best single volume study covering both the ‘early’ and the ‘later’ Wittgenstein. Until this third edition, the book had been out of print for 25 years.
Widely regarded as the best single-volume study of Wittgenstein's philosophy, Insight and Illusion is a thoroughly comprehensive examination of the evolution of Wittgenstein's thought from the Tractatus to his later "mature" phase. This is a reprint of the second, corrected edition, which includes extensive revisions.
Hinge Epistemology is rapidly becoming one of the most exciting areas of epistemology and Wittgenstein studies. In connecting these two fields it brings a revived energy to both, opening them up to fresh developments. The essays in this volume extend the subject in terms of both depth and breadth. They present new voices and challenges within hinge epistemology. They explore new applications and directions of hinge epistemology, particularly as it relates to the philosophy of mind, society, ethics, and the history of ideas
Updated edition of this important book, charting the development of Wittgenstein's philosophy of the mind, language, logic, and mathematics.