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For over 40 years, Anthony Hobson has occupied a commanding position in the world of books. He ran Sotheby's book department for some 20 years and since then has established an independent reputation with a series of studies of bookbinding and the history of books generally in Renaissance Italy. On the occasion of his 70th birthday a group of friends honoured his achievements with a collection of essays, some published in 1991 in The Book Collector, but the major part in this book.
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In fifteenth- and sixteenth-century Italy, many leading citizens constructed and furnished distinctive studies for themselves. The study was an individually designed room for private and social use - as an office, library, a family archive or treasury, as the nucleus of an art collection, or as a space for contemplation. This book is an account of the Renaissance Italian study and its contents. Illustrated with depictions of studies and the precious and unusual objects they contained, the book examines the significance of the study to its owner and visitors, its structure and location, and the prized possessions that might fill such a special room.
This report finds the three bankers guilty of "catastrophic failures of management" in the run-up to the collapse of HBOS which resulted in its emergency takeover by Lloyds bank. "Toxic" misjudgments by the three led to the bank's downfall. Lloyds later needed a £20.5bn taxpayer bail-out at the height of the financial crisis as a direct result of its acquisition of HBOS. So far only one former HBOS director, Peter Cummings, has been penalised, after being fined £500,000 and banned for life from working in the City last September. The Commission said it was wrong that he should shoulder the blame alone. They claim "The primary responsibility for the downfall of HBOS should rest with Sir Jam...
Charles Davies (b.ca. 1706) emigrated from England to Philadelphia, and married Hannah Matson in 1732/1733. Descendants (chiefly spelling the surname Davis) and relatives lived in Pennsylvania, North Carolina, Ohio, Indiana, Iowa, Nebraska, Kansas, Oklahoma, California and elsewhere.
English painter John William Waterhouse (1849-1917) communicates his aesthetic vision through his use of color. Throughout his career, he experimented with color as an element with seemingly spatial qualities. His works have an unusual formalism--figures and settings often appear not merely realistic but somewhat hyperreal. Yet paradoxically Waterhouse's works border on the abstract, prioritizing chromatic features over content. They invite us to focus on colors--and through them line, shape, texture and rhythm--in much the same way as works by Kandinsky, Klee, Matisse or Pollock.
This volume examines private libraries and book ownership in seventeenth-century England, with particular focus on how libraries developed over this period and the social impact that they had.
The late Victorian artist John William Waterhouse produced stunning paintings of women from ancient mythology, Shakespearean drama and Arthurian legend. The darling of the Royal Academy, where he exhibited almost every year throughout his long career, Waterhouse completed artworks that were celebrated for their rich, glowing colour and veiled eroticism. Embracing the style of the Pre-Raphaelite Brotherhood, which had split up several decades before, Waterhouse depicted dramatic, beautiful and haunting female figures, perfecting his own vision of the all-powerful femme fatale. His paintings embrace a dreamy, romantic manner, with a sensuous handling of paint that gave them a unique identity. ...