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Anthony Neilson Plays: 3
Anthony Neilson is often described as one of the most exciting and challenging voices in contemporary British theatre. For over two decades he has acquired a reputation for innovation and experimentation in both writing and directing having worked with companies such as The Royal Court, The RSC and the National Theatre. This third play collection of his most recent major works brings together five plays in publication for the first time, offering an important documentary of his original work since 2008. Relocated (2008) originally premiered at the Royal Court, directed by the author, where it was described as a “sinister mystery” play and “not an experience for the faint-hearted...mora...
Realism
A lazy Saturday for Stuart? With interruptions from a radio panel show, a threesome, the Black and White Minstrels, a nagging mother and a mouthy cat - no chance. Luckily, none of them know what he's thinking . . . Realism is an exquisite, surreal trip inside the mind of one man during an ordinary day. However, it veers off from the commonplace to become a deliriously comic trip inside his wayward imagination. Dreams and daydreams are brought to life to hilarious effect exposing the faultlines between everyday life and the world of the imagination in which fantasies ignore conventions of taste and political correctness. This is Anthony Neilson's follow-up to his multi award-winning The Wonderful World of Dissocia. The text was published to coincide with its English premiere at the Soho Theatre in June 2011.
The Theatre of Anthony Neilson
"Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For two decades he has been in the vanguard of new writing and has acquired a reputation for innovation and experimentation. His major stage plays include Penetrator, The Censor, Stitching, Realism and his 2004 masterpiece The Wonderful World of Dissocia, arguably one of the best Scottish plays of the new millennium. This volume provides the first full-length study of both Neilson's plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and with many of his key collaborators. This is essential reading for anyone who wants to develop a better understanding of one of British theatre's most original artists on stage and in the rehearsal room. "--
The Wonderful World of Dissocia & Realism
A two-play edition featuring Neilson's companion plays, "The Wonderful World of Dissocia" and "Realism."
The Wonderful World of Dissocia
Life's full of clatter, but none of it matters, only who'll hold your paw when you die. What would you do if you lost an hour from your day? How far would you go to rescue what you've lost? In search of a lost hour that has tipped the balance of her life, Lisa Jones is on a quest through a surreal world, filled with insecurity guards, flying cars, singing polar bears and wild-goose chases. The inhabitants of Dissocia are a curious blend of the funny, the friendly and the downright brutal. Anthony Neilson's cult play is a poignant and comical delve into the nature of mental illness. This edition was published to coincide with the major London revival at Theatre Royal Stratford East in September 2022.
Neilson Plays:1
Contains Normal, first performed at the Pleasance Theatre, Edinburgh on 7 August 1991; Penetrator, first performed at the Traverse Theatre Edinburgh on 12 August 1993; Year of the family, first performed at the Finborough Theatre, London on 28 March 1994; The night before Christmas, first performed at the Red Room, London on 5th December 1995; The Censor, first performed at the Finborough Theatre, London on 1 April 1997.
Neilson Plays: 2
In the 1990s playwright Anthony Neilson garnered a reputation for hard-hitting, morally disturbing plays that saw him labelled as one of the 'In Yer Face' dramatists who emerged from that decade. This second volume of plays showcases the comic, surreal and gloriously off-kilter side of his more recent work. Edward Gant's Amazing Feats of Loneliness! (Theatre Royal, Plymouth, 2002) mixes Victorian melodrama with a catalogue of grotesque comic tales; The Lying Kind (Royal Court, 2002), a black farce set at Christmas involving two hapless policeman who must break news of tragedy to an elderly couple, 'often reduced much of the audience to tears of laughter' (Financial Times). Produced originall...
Stitching
We will fix it. We will mend it... In the light of a pregnancy, a faithless couple pick apart their relationship, stitch by painful stitch. Can it be mended? Anthony Neilson's dark and intimate new play is a love story set at the extremes of brutality, banality and tenderness. Stitching opened at the Traverse Theatre, Edinburgh, on 2 August 2002 and transferred to the Bush Theatre, London, on 12 September 2002."Explodes with power, discipline, integrity and sheer cruel psychological accuracy ... Neilson's writing has a terrible beauty" Sunday Times "Startlingly rich and challenging, Neilson depicts with aching precision a relationship in which love is undermined by distrust" Time Out "Shattering, shocking...a serious, persuasive account of the blind alleys love can lead us down" Daily Telegraph "A characteristically brave and brutal offering" Independent "A deeply mesmerising, if shocking, experience as a couple smashes through taboo after taboo in a harrowing sexual tug of war" Evening Standard
The Lying Kind
A brand new comedy by the writer of the hit play Stitching, published to tie in with the Royal Court's Christmas production from November 2002 Constables Blunt and Gobbel have one last duty to fulfil before they can finish their Christmas eve shift; telling the old couple at No. 58 some terrible news. But what if the shock is too much for them? Blunt and Gobbel didn't join up in order to ruin people's lives. Maybe they'd be happier not knowing. And maybe it would all be much easier if the two constables weren't also stuck in the middle of a full-scale village lynch-mob.
The Censor
"This is a profound and tragic vision of humanity at its bare, forked basics" (Patrick Marmion, Evening Standard) The Censor is "a gripping brief encounter between a pornographic film actress and the man with the licensing scissors. A moving parable of the critic and artist as a healing and finally tragic, love story." (Michael Coveney, Daily Mail)
