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PORTRAYING ELIZABETH
The role of Elizabeth I on stage and screen has been deciphered, unravelled and decoded in a variety of forms: villainess, martyr, heroine and sometimes even comic turn. One fact, though, is clear: Elizabeth is reinterpreted in every age, and is therefore always updating, sometimes becoming the fashion, on occasion going out of fashion, but ultimately never losing our interest. In the time span covered in this book, 1912 to the present day, it is apparent that casting an actress as Elizabeth more often depends more upon her bankability at the box office, and the public’s perception of her character, than her physical resemblance or even suitability to the role. Yet these casting choices ha...
Bette & Joan
Once grande dames of Hollywood, by 1962 arch-rivals Bette Davis and Joan Crawford were in danger of becoming has-beens. Then an opportunity came along: to appear together in a new movie called Whatever Happened To Baby Jane?-2 women
Storm in a Flower Vase
Storm in a Flower Vase is a fascinating and compelling new drama by Anton Burge, author of the hit play Bette and Joan. Set in London in the 1930s, the play explores the early careet of Constance Spry, founder of the celebrated business Floral Decorations that supplied floral arrangements to the upper ranks of society.
Theatre, Opera and Consciousness.
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Roll of Honor
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Dark Star
Winner of the Society for Theatre Research Book Prize 2020 Vivien Leigh was perhaps the most iconic actress of the twentieth century. As Scarlett O'Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life. Using previously unseen sources from her archive, recently acquired by the V&A, he sheds new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the twentieth century's greatest actresses.
Shakespeare's Women and the Fin de Siècle
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen...
The Mammoth Book of Best New Horror 23
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers a comprehensive overview of the year in horror, a necrology of recently deceased luminaries, and a list of indispensable addresses horror fans and writers. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.
