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Anton Chekhov
The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn: 'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously e...
The Novel in the Age of Disintegration
Scholars have long been fascinated by the creative struggles with genre manifested throughout Dostoevsky’s career. In The Novel in the Age of Disintegration, Kate Holland brings historical context to bear, showing that Dostoevsky wanted to use the form of the novel as a means of depicting disintegration brought on by various crises in Russian society in the 1860s. This required him to reinvent the genre. At the same time he sought to infuse his novels with the capacity to inspire belief in social and spiritual reintegration, so he returned to some older conventions of a society that was already becoming outmoded. In thoughtful readings of Demons, The Adolescent, A Writer’s Diary, and The Brothers Karamazov, Holland delineates Dostoevsky’s struggle to adapt a genre to the reality of the present, with all its upheavals, while maintaining a utopian vision of Russia’s future mission.
An Introduction to the Russian Novel
In this book, first published in 1943, Janko Lavrin provides an overview of the development of the Russian novel by placing the great Russian novelists – Tolstoy, Dostoevsky, Turgenev, Gorky, Gogol – in relation to their native literature and their social, political and cultural backgrounds. An Introduction to the Russian Novel will appeal particularly to students of Russian literature and culture as well as those interested in the development of the novel in general.
To Moscow
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Serf, Seigneur, and Sovereign
Serf, Seigneur, and Sovereign was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is a detailed history of the agrarian reforms which took place in Bohemia during the reigns of the Habsburg rulers Maria Theresa, 1740–1780, and Joseph II, 1780–1790. The enactment of the land reforms had far-reaching social, economic, and political effects, and the subject constitutes an important chapter in the history of the nation we now know as Czechoslovakia. The topic has been hardly touched in English, however, and has only recen...
The Undiscovered Chekhov
The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative. Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period. Her...
Young Chekhov
Young Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.
Serfdom, Society, and the Arts in Imperial Russia
Richard Stites explores the dramatic shift in the history of visual and performing arts that took place in the last decades of serfdom in Russia in the 1860s and revisualises the culture of that flamboyant era.
Unfree Labor
Kolchin compares the world of masters and the world of slaves in U.S. and Russian nonfree labor systems. He theorizes that while southern states in the U.S. existed as slaveowner's communities, the rural Russian communal landcape was severely influenced by the bargaining power of peasant bondsmen.
