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Directing Beckett
Interviews with and essays by twenty-two prominent directors of Samuel Beckett's work
Madame
Madame tells the story of a self-absorbed Polish teenager as he pursues intellectual maturity, and the woman of his dreams, his French teacher 'Madame', in the communist-dominated Warsaw of the early 1970s. Libera paces his exuberant young hero's fulminations, fantasies and discoveries beautifully, building a remarkably subtle characterisation of a free mind in a repressive culture. This is one of those rare novels which reminds us why we love books. A consummate literary entertainment.
Dialogues on Beckett
‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text. It is also based on the thesis that Beckett’s main concern in his plays is Christian theology or, more broadly, the religious interpretation of the world. All his plays are an argument with that interpretation; in particular, they question the idea of theodicy and the philosophy of consolation. The aim of ‘Dialogues on Beckett’ is to make the reader aware of this essential theme in the playwright’s work, to interpret it in this light and to show his original approach to the subject. Beckett argues that we live in a post-Christian era. But for him this knowledge is no reason for joy; rather, it is a source of sadness, fear and even despair.
The International Reception of Samuel Beckett
Over the last decade, Samuel Beckett's popularity has rocketed around the world and he is increasingly recognised as one of the most important and influential writers of the twentieth century but there has been very little scholarly work on Beckett's reception outside Europe. This comprehensive volume brings together essays from leading critics on Beckett's international critical reception. Due to Beckett's linguistic and artistic abilities, he was intimately involved in the translation and production of his writings in German, French, English and Spanish; and consequently countries using these languages have sophisticated critical traditions. However, many other countries have adopted Beckett as their own, from places where he lived for lengthy periods of his life (England, France, Ireland and Germany), to those finding directly applicable political messages in his work (such as ex-Soviet states including the Czech Republic and Romania), and those countries whose national literary traditions bear heavily upon his work (e.g. Norway and Italy). This fascinating volume reveals Beckett's evolving critical reception from contemporary reviews to the present.
Women in Beckett
Twelve actresses from seven countries are interviewed about their experience of performing in plays by Samuel Beckett, including their physical and psychological preparation. An additional 19 essays explore critical themes relating to the plays as fiction, as fiction becoming drama, and as drama on stage, radio, and television. Annotation copyrighted by Book News, Inc., Portland, OR
Recepcja twórczości Samuela Becketta w Polsce
Recepcja twórczości Samuela Becketta w Polsce to publikacja o doniosłym znaczeniu. Jest pierwszym systematycznym opracowaniem tematu, jakie ukazało się od 1990 roku, i stanowi punkt zwrotny. Siedemdziesiąt lat obecności Becketta w polskiej kulturze nakreśla dostatecznie szeroką perspektywę, aby stwierdzić, że współcześni przestają patrzeć na niego z pozycji karła. Piedestał, na którym zwykło się go umieszczać, burzą nawet ci, co go wznieśli. Czyżby w tej partii szachów po raz pierwszy powiedziano pisarzowi: mat? Bezcennym walorem książki są rozbudowane aneksy, w których zgromadzono informacje o wszystkich polskich inscenizacjach i utworach muzycznych inspirowanych tekstami Becketta. Skompilowano w nich także wykaz festiwali i seminariów beckettowskich. W części bibliograficznej czytelnik odnajdzie ponadto nigdy wcześniej niepublikowany, kompletny spis dzieł autora oraz listę ich przekładów na język polski.
Diversity and Homogeneity
Diversity and Homogeneity explores current issues related to the nation, ethnicity and gender in literature, film, media and theatrical performance in both the UK and the USA. Employing a broad research framework, it investigates the problematics of migration, nomadism, nationhood, citizenship, patriotism, terrorism, totalitarianism, social and racial equality, as well as masculinity and femininity in modern multicultural societies. Keenly attuned to questions of alterity, social and cultural fluidity, and heterogeneous forms of identity, yet also sensitive to contemporary unifying tendencies informing an increasingly globalized world, the volume’s contributions critically interrogate and challenge the traditional notions attached to the three overarching categories of the book’s title.
Beckett’s Voices / Voicing Beckett
Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.
The Problem of Moral Rearmament
This book looks at Poland at the time of the war in Ukraine with an emphasis on the pertinent political philosophical reflection of its public scholars regarding the problem of the country’s moral rearmament—a major axiological challenge for the West and its member states in dangerous times. After initially looking at the sociopolitical context of the question in Poland, that is, the country’s response to the early phase of the Russian invasion of Ukraine, as well as presenting the aggressive Russian empire together with the European Union as a normative empire, the main question is examined in the context of the Polish national community. Thus Poland is studied from several aspects of cultural and political philosophy, augmented by political theology, which provide potentially relevant resources to confront the challenge. From this perspective reflection on existing historical memory in Poland is presented that explains the survival of a tragic sensibility and can act as a counter to the historical amnesia that has been determined as a deterrent of the axiological task of moral rearmament, and plays an important part in a deeper reflection of the present dangerous times.
