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Hermaphroditus
Eugene O'Connor's superb translation of Antonio Panormita's Hermaphroditus brings to life this little known Renaissance writer 's bawdy masterpiece. Modeled on the writings of the Roman poet Martial, Panormita's work was initially greeted with enthusiasm by humanist scholars upon publication in 1425 only to be reviled and censured as obscene by Christian apologists. O'Connor's excellent introduction offers a wealth of historical and literary information on Panormita's often profane poetry, presented here in both English and the Latin original. This new translation will be a delight to classical, neo-Latin, and Renaissance scholars interested in tracing the development of the epigram from Latin to the vernacular, and to scholars of gender and gay studies seeking to understand the popular portrayal of women and sexual themes in the early Renaissance.
The Hermaphrodite
The Hermaphrodite's open celebration of vice, particularly sodomy, earned it public burnings, threats of excommunication, banishment to the closed sections of libraries, and a devoted following. Beccadelli combined the comic realism of Italian popular verse with the language of Martial to explore the underside of the early Renaissance.
Vita di Antonio Beccadelli, Soprannominato IL Panormita (Classic Reprint)
Excerpt from Vita di Antonio Beccadelli, Soprannominato IL Panormita Biblioteca Ambrosiana di Milano, che a' hf Avea inviato il signor D. Pietro Maz zucchelli Quindi con tutta verit potr ' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
