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"In The New World Order contributors discuss an alternative value system to that of the market-led corporate global agenda. This system does not directly challenge corporate globalization but operates in parallel with it, creating new possibilities. The authors expose the threats posed by the New World Order and propose a more positive way of dealing with the future." -- BACK COVER.
From the winner of the National Book Award and the National Books Critics’ Circle Award—and one of the most original thinkers of our time—“Andrew Solomon’s magisterial Far and Away collects a quarter-century of soul-shaking essays” (Vanity Fair). Far and Away chronicles Andrew Solomon’s writings about places undergoing seismic shifts—political, cultural, and spiritual. From his stint on the barricades in Moscow in 1991, when he joined artists in resisting the coup whose failure ended the Soviet Union, his 2002 account of the rebirth of culture in Afghanistan following the fall of the Taliban, his insightful appraisal of a Myanmar seeped in contradictions as it slowly, fitfull...
These essays on Brazilian performance culture comprise the first English-language book to study the varied manifestations of performance in and beyond Brazil, from carnival and capoeira to gender acts, curatorial practice, and political protest.
Reprint of the original, first published in 1869.
Set in the American Southwest in the 1870s, Forty Dollars is a western with an eclectic blend of many different characters consisting of southern expatriates, carpetbaggers turned ranchers, Mexican bandits, working cowboys, and a biblical quoting bounty hunter. The central figure is Jake Romero, a white man raised by Lipan Apaches and trained to be a scout with uncanny abilities, some of which are mystical or shamanistic in nature. Jake is hired by a wealthy rancher to track for a vigilante group whose mission is to rid the territory of cattle rustlers and horse thieves. After an eventful three weeks in which he witnesses a lynching, is involved in a shootout with a nest of rustlers, and has a disastrous encounter with Mexican bandits and an expatriated Southern General, Jake returns to the ranch to collect his pay. The rancher refuses to pay him, so Jake steals the mans prize stallion, stating that the rancher will get the horse back when Jake gets his forty dollars. This sets the stage for a confrontation between Jake and everyone that wants a piece of him, for one reason or another.
"Maracatu Atômico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions while embracing modern, global pop influences and technology. The book provides historical and ethnographic accounts of the movement, analyzes salient examples of folk and pop fusion music, and enters recent debates about postmodernity, globalization, and "world music" in an attempt to understand better how local musicians in one "Third World" region interact within a more global cultural system.