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Publisher Description
In 1863-64, the author penned what remains today the most extensive biography of Antonio Salieri in the English language. In a lively style, abounding with wit and commentary on current events, the author presents a thorough account of Salieri's life, dealing objectively with such controversial issues as his supposed "boycott" of Mozart's Marriage of Figaro, his obstruction of Mozart's desired appointment at court, his alleged poisoning of Mozart, and the delusions which Salieri suffered during his mental and physical decline in old age. Viewed against the backdrop of long-time Hapsburg patronage of Italian opera in Vienna, Salieri emerges as an industrious composer of musical comedy and dra...
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Wolfgang Amadeus Mozart is a genius, the most brilliant musician the world will ever see. But the court of eighteenth-century Vienna doesn t recognize his talents - only Antonio Salieri, the Court Composer, does, and he is tortured by what he hears. Seething with rage at the genius of this flippant buffoon and suddenly aware of his own mediocrity, Salieri declares war and sets out to destroy the man he sees as God s instrument on earth. Peter Shaffer s award-winning play is a rich, exuberant portrayal of a God-like man among mortals, and lives destroyed by envy."
A Study Guide for Wolfgang Amadeus Mozart and Antonio Salieri's "Amadeus" (lit-to-film), excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
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This collection presents authoritative miniature-score editions of two staples of the repertoire: Liszt's Piano Concerto No. 1 in E-flat Major and his Piano Concerto No. 2 in A major.
Since the late 1970s, more than 200 biographical plays about famous artists (composers, fine artists, poets, actors etc.) were written and staged in the United Kingdom. The book analyses the range of these plays, arguing that the dramatists often place the main artist character(s) in an adverse situation, inward (e.g., mental illness) or outward (a personal enemy, or an anonymous power, such as war). Against the background of such adverse forces, the artist characters tend come across as flawed human beings. At the same time, most plays take care to provide good insights into the artistsâ (TM) genius and their artistic integrity in the face of the adversity. The book also addresses the question why there have been so many biographical plays about famous artists over the past twenty-five years, providing answers in the context of theatre history and developments across academic disciplines and society as a whole.
Note: The University of Adelaide Library eBooks @ Adelaide.
Play about the relationship between Mozart and Salieri.