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Renaissance Philosophy in Jewish Garb
The book deals with the coordinates of a oemodernitya as premises of Jewish philosophy in the Renaissance and early modern period.
Art as Politics in Late Medieval and Renaissance Siena
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
Bernini
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.
Barbarians, Maps, and Historiography
To complement his first collection of articles (Rome's Fall and After, 1989), Walter Goffart presents here a further set of essays, all but two published between 1988 and 2007. They mainly focus on two types of historiography: early medieval narratives, with special attention to Bede's Historia ecclesiastica; and printed maps designed to portray and teach history, with special attention to the ubiquitous 'map of the barbarian invasions'. The wide-ranging concerns represented extend from the underside of the Life of St Severinus of Noricum, and further evidence for dating Beowulf, to the questions whether the barbarian invasions period was a 'heroic age' and how Charlemagne shaped his own succession. Attention is also paid to the earliest map illustrating the Anglo-Saxon Heptarchy and to the historical vignettes of the Vatican Galleria delle carte geografiche. The collection opens with the appraisal of certain writings dealing with what is now called 'ethnogenesis theory'. To conclude, Professor Goffart adds brief second thoughts about each of these essays and supplies an annotated list of his articles that have not been reprinted.
Patriots and Traitors in Revolutionary Cuba, 1961–1981
Authorities in postrevolutionary Cuba worked to establish a binary society in which citizens were either patriots or traitors. This all-or-nothing approach reflected in the familiar slogan “patria o muerte” (fatherland or death) has recently been challenged in protests that have adopted the theme song “patria y vida” (fatherland and life), a collaboration by exiles that, predictably, has been banned in Cuba itself. Lillian Guerra excavates the rise of a Soviet-advised Communist culture controlled by state institutions and the creation of a multidimensional system of state security whose functions embedded themselves into daily activities and individual consciousness and reinforced these binaries. But despite public performance of patriotism, the life experience of many Cubans was somewhere in between. Guerra explores these in-between spaces and looks at Cuban citizens’ complicity with authoritarianism, leaders’ exploitation of an earnest anti-imperialist nationalism, and the duality of an existence that contains elements of both support and betrayal of a nation and of an ideology.
Sarra Copia Sulam
The first biography of the Jewish poet and polemicist Sarra Copia Sulam situates her in the tradition of women's writing in Venice and explores her rise and fall as a public intellectual in the tumultuous world of the city's presses.
Italian Communication on the Revolt in the Low Countries (1566-1648)
In this groundbreaking book, Nina Lamal provides a compelling account of Italian information and communication on the Revolt in the Low Countries, casting an entirely new light on the keen Italian interest and involvement in this protracted conflict.
Venice Reconsidered
This collection of essays on centuries of culture and politics is “likely to become a landmark in Venetian historiography” (The Historical Journal). Venice Reconsidered offers a dynamic portrait of Venice from the establishment of the Republic at the end of the thirteenth century to its fall to Napoleon in 1797. In contrast to earlier efforts to categorize Venice’s politics as strictly republican and its society as rigidly tripartite and hierarchical, the scholars in this volume present a more fluid and complex interpretation of Venetian culture. Drawing on a variety of disciplines—history, art history, and musicology—these essays present innovative variants of the myth of Venice—that nearly inexhaustible repertoire of stories Venetians told about themselves.
