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John Ruskin and the Fabric of Architecture
  • Language: en
  • Pages: 249

John Ruskin and the Fabric of Architecture

  • Type: Book
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  • Published: 2017-10-02
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  • Publisher: Routledge

Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking ...

Surface and Deep Histories
  • Language: en
  • Pages: 245

Surface and Deep Histories

Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within arch...

Built, Unbuilt and Imagined Sydney
  • Language: en
  • Pages: 110

Built, Unbuilt and Imagined Sydney

Built, Unbuilt, and Imagined Sydney presents the expanded field of architecture. It aims to show that the practice of architecture exceeds the work legally defensible under the title of the architect. Besides the design and construction of buildings, the disciplinary field of architecture consists of exhibition and display; discussions and lectures; competitions and visions of new public domains; interactions between art and architecture in the form of installations, performances, and public art; and ideas on new directions for the practice of architecture. The book, therefore, places emphasis on practice as an intellectual activity, in addition to the definition of the term informed by busi...

Immigrant Academics and Cultural Challenges in a Global Environment
  • Language: en
  • Pages: 310

Immigrant Academics and Cultural Challenges in a Global Environment

This edited volume brings together the voices of different academics to illuminate the role of culture in determining the character and quality of the social and professional lives of mobile academics. The book examines specific issues on cultural diversity and the management of the heterogeneous classroom and diverse teaching/learning contexts. Teaching, learning, and research are processes carried out in situated contexts and within constructed, inherited, and negotiated cultural milieu, contexts that invariably affect the performance of the immigrant academics in their new homes and host academic institutions. The chapters in this volume provide analyses, reflections, and synthesis of int...

AKASHVANI
  • Language: en
  • Pages: 56

AKASHVANI

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...

Persistent Ruskin
  • Language: en
  • Pages: 232

Persistent Ruskin

  • Type: Book
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  • Published: 2016-05-13
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  • Publisher: Routledge

Examining the wide-ranging implications of Ruskin's engagement with his contemporaries and followers, this collection is organized around three related themes: Ruskin's intellectual legacy and the extent to which its address to working men and women and children was realised in practice; Ruskin's followers and their sites of influence, especially those related to the formation of collections, museums, archives and galleries representing values and ideas associated with Ruskin; and the extent to which Ruskin's work constructed a world-wide network of followers, movements and social gestures that acknowledge his authority and influence. As the introduction shows, Ruskin's continuing digital pr...

Managing Complexity and COVID-19
  • Language: en
  • Pages: 253

Managing Complexity and COVID-19

This book brings together insights and perspectives from leading medical, legal, and business professionals, as well as academics and other members of civil society, on the threats and opportunities to life during the COVID-19 pandemic. It provides a uniquely interdisciplinary perspective for policymakers, researchers, and medical professionals to assess the different practical strategies, and risk and crisis management processes available to them in addressing the very difficult choices with which they are presented and their implications. The book presents a framework for the different facets of strategic choices faced by policymakers between life and livelihood, and the challenges of prot...

Double Vision
  • Language: en
  • Pages: 337

Double Vision

  • Categories: Art
  • Type: Book
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  • Published: 2024-08-27
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  • Publisher: MIT Press

A lavishly illustrated inside account of one of avant-garde film’s most original outsiders, the filmmaker Robert Beavers. Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers’s dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today’s most significant living filmmakers. In Double Vision, Rebekah Rutkoff, the first scholar to have full access to Beavers’s writing archive, sheds light on this deeply original underground figure and reveals the way Beavers’s films explore nonoptical seeing—aware...

Responsible Pedagogies in Architecture
  • Language: en
  • Pages: 398

Responsible Pedagogies in Architecture

Higher education plays a significant role in developing innovative ways to combat climate change, particularly through curriculum, research, and training. This book highlights that, through its research, teaching, and community outreach, the School of Architecture and Design of Manipal University Jaipur, India, is consistently pursuing ‘responsible pedagogies’ in environmental, economic, and social sustainability, all of which speak to the urgent premise of addressing climate change.

Painting in Stone
  • Language: en
  • Pages: 449

Painting in Stone

A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.