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Scottish Architecture
Scotland is almost unique among smaller European nations in the distinctiveness and richness of its architectural heritage, dominated from the earliest times by monumental stone buildings. Prehistoric tombs and houses, early Christian, Romanesque and Gothic churches, medieval and Renaissance castles and palaces were followed, from the 17th century onward, under the stimulus of burgeoning wealth and power, by buildings reflecting a dazzling range of stylistic movements and forceful designers - including world-renowned names such as Robert Adam, Alexander Thomson and C. R. Mackintosh. In the 20th century, Scotland again saw distinctive developments and personalities. Miles Glendinning and Aonghus MacKechnie bring these diverse movements and architects to life, while setting them in their wider cultural context. The built environment has always been one of the central strands of Scottish identity, and this book, for the first time, sets out its story in a concise and readable form.
Scotch Baronial
As the debate about Scottish independence rages on, this book takes a timely look at how Scotland's politics have been expressed in its buildings, exploring how the architecture of Scotland - in particular the constantly-changing ideal of the 'castle' - has been of great consequence to the ongoing narrative of Scottish national identity. Scotch Baronial provides a politically-framed examination of Scotland's kaleidoscopic 'castle architecture', tracing how it was used to serve successive political agendas both prior to and during the three 'unionist centuries' from the early 17th century to the 20th century. The book encompasses many of the country's most important historic buildings - from the palaces left behind by the 'lost' monarchy, to revivalist castles and the proud town halls of the Victorian age - examining their architectural styles and tracing their wildly fluctuating political and national connotations. It ends by bringing the story into the 21st century, exploring how contemporary 'neo-modernist' architecture in today's Scotland, as exemplified in the Holyrood parliament, relates to concepts of national identity in architecture over the previous centuries.
History of Scottish Architecture
At last - here is a single volume authoritative history of Scottish architecture. This compact yet comprehensive account combines factual description of the vast and fertile range of visual forms and key architects in each period with a wide-ranging analysis of their social, ideological and historical context. As Scotland has often been closely involved with new trends in western architecture, this book highlights the interaction of Scottish developments with broader European and international movements. From the beginnings of the Renaissance in the 15th century right up to the 1990s ,this much-needed survey covers the entire post-medieval story in one volume.
Scotland's Castle Culture
The castle is an iconic building type and one of the most distinctive architectural emblems in the British Isles. This book covers the entire history of Scotland's castles, from the very first stone castles in the 13th century to those of the present day. Ever since its medieval origins, the concept of the castle has undergone constant changes, with the tall tower house being superseded in the 17th century by the classical house, and in the 18th century by a fashionable building type designed by major architects such as Robert Adam. While Scotland's Castle Culture in many ways marched with European fashion, much was distinctively Scottish - as seen in the reluctance to abandon castles as res...
Architecture of Scotland, 1660-1750
This architectural survey covers one of Scotland's most important periods of political and architectural change when mainstream European classicism became embedded as the cultural norm. Interposed between the decline of 'the Scottish castle' and its revival as Scotch Baronial architecture, the contributors consider both private and public/civic architecture. They showcase the architectural reflections of a Scotland finding its new elites by providing new research, analysing paradigms such as Holyrood and Hamilton Palace, as well as external reference points such as Paris tenements, Roman precedents and English parallels. Typologically, the book is broad in scope, covering the architecture and design of country estate and also the urban scene in the era before Edinburgh New Town. Steps decisively away from the 'Scottish castle' genre of architectureContextualises the work of Scotland's first well-documented grouping of major architects - including Sir William Bruce, Mr James Smith, James Gibbs and the Adam dynastyDocuments the architectural developments of a transformational period in Scottish history Beautifully illustrated throughout with 300 colour illustrations a
Sacred Signs in Reformation Scotland
Sacred Signs in Reformation Scotland is the first study of how public worship was interpreted in Renaissance Scotland and offers a radically new way of understanding the Scottish Reformation. It first defines the history and method of "liturgical interpretation" (using the methods of medieval Biblical exegesis to explain worship), then shows why it was central to medieval and early modern Western European religious culture. The rest of the book uses Scotland as a case study for a multidisciplinary investigation of the place of liturgical interpretation in this culture. Stephen Mark Holmes uses the methods of "book history" to discover the place of liturgical interpretation in education, serm...
How the Country House Became English
The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
The Architectural, Landscape and Constitutional Plans of the Earl of Mar, 1700-32
Politics, architecture, landscapes, city designs, and infrastructure planning were the substance of the Earl of Mar's creative thinking before and after the Anglo-Scottish Union of 1707. Condemned as a traitor after he led and lost the Jacobite Rising of 1715, Mar devoted his time in exile to creating a new constitution for the United Kingdom in which England, Ireland, and Scotland would become equal partners in a federation with France for the enduring peace of Europe. Richly illustrated with Mar's magnificent designs for cities, palaces, and houses, this is the first book about this controversial figure. [Subject: History, Architecture, Design, Irish Studies, British Studies, Scottish Studies]
Female Husbands
A timely and comprehensive history of female husbands in Anglo-America from the eighteenth through the turn of the twentieth century.
Emblems in Scotland
Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
