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This dictionary provides those studying or working in archaeology with a complete reference to the field.
The contributors to this volume analyse problems and attitudes involved in the development of links between museum personnel and archaeologists in West Africa, underlining the existing gaps and suggesting possible improvements.BR> Published in association with The West African Museums Programme and the International African Institute; North America: Smithsonian Institution Press
'History is written by the winners' is the received wisdom. This book explains why historical interpretation has to incorporate perspectives from those other than 'winners', and demonstrates archaeology's crucial role in this wide-ranging approach. The book draws more on Africa, Afro-America, Australasia and Oceania than on Europe, the source of the traditionally dominant perspective in archaeology. The four organizing themes of The Politics of the Past are the forms and consequences of the Eurocentric heritage, the conflicting perspectives of rulers and ruled, the significance of administrative and institutional rivalries, and the cleavages that divide professional from popular views of archaeology. Archaeologists, anthropologists, historians and other scholars will find The Politics of the Past illuminating and provocative. It will enrich historical and archaeological inquiry and interpretation, and ramify their relevance for public policy.
The Presented Past is concerned with the differences between the comparatively static, well-understood way in which the past is presented in schools, museums and at historic sites compared to the approaches currently being explored in contemporary archaeology. It challenges the all-too-frequent representation of the past as something finished, understood and objective, rather than something that is `constructed' and therefore open to co-existing interpretations and constant re-interpretation. Central to the book is the belief that the presentation of the past in school curricula and in museum and site interpretations will benefit from a greater use of non-documentary sources derived from archaeological study and oral histories. The book suggests that a view of the past incorporating a larger body of evidence and a wider variety of understanding will help to invigorate the way history is taught. The Presented Past will be of interest to teachers, archaeologists, cultural resource managers, in fact anyone who is concerned with how the past is presented.
This book provides insights into the archaeological context of the Nok Culture in Nigeria (West Africa). It was first published in German accompanying the same-titled exhibition “Nok – Ein Ursprung afrikanischer Skulptur” at the Liebieghaus Skulpturensammlung in Frankfurt (30th October 2013 – 23rd March 2014) and has now been translated into English. A team of archaeologists from the Goethe University Frankfurt/Main has been researching the Nok Culture since 2005. The results are now presented to the public. The Nok Culture existed for about 1500 years – from around the mid-second millennium BCE to the turn of the Common Era. It is mainly known by the elaborate terracotta sculpture...
Archaeology and Language IV examines a variety of pressing issues regarding linguistic and cultural change. It provides a challenging variety of case-studies which demonstrate how global patterns of language distribution and change can be interwoven to produce a rich historical narrative, and fuel a radical rethinking of the conventional discourse of linguistics within archaeology.
Hausa society in West Africa has attracted researchers’ attention for decades, and has featured in the historical record for at least 500 years. Yet, no clear picture is available of the historical trajectories that underpin Hausa ethnogenesis. This book addresses this gap, deploying interdisciplinary approaches to revisit questions to which single disciplines have given partial answers, often due to the paucity of written sources for early periods of Hausa history. Contributors draw from the disciplines of anthropology, linguistics, economic history, and archaeology to enquire into how a ‘Hausa’ identity took shape and what have been its changing material and cultural manifestations. The result is a compelling overview of one of the most iconic groups of modern West Africa.