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Spiritual traditions across the world teach that within the dreaming state there resides a more serene experience of pure consciousness - one of profound joy. Lucid Surrender, this is our original soul nature.
Archive Species' is an inquiry into the representation of clothed bodies in print media since the 1970s. Artist Joke Robaard and writer Camiel van Winkel have been re-assembling and re-reading the vast archive of fashion and newspaper images that Robaard has collected since 1979. Together they selected images from the archive and arranged them into dynamic series or cycles, generating new narratives and unexpected pathways of signification. Using an artistic strategy of appropriation and alienation, the authors identify crucial connections between body, object, and behaviour, in an elaborate attempt to expose the hidden cultural and political layers of fashion photography. The essays in this book, on topics such the assembled self, the construction and deconstruction of garments, and the metaphorical potential of textile and fabric, should be read in close connection to the prolific visual material.
"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times
"I have had a dream past the wit of man to say what dream it was," says Bottom. "I have had a dream, and I wrote a Big Book about it," Arno Schmidt might have said. Schmidt's rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded. As befits a dream upon a heath populated by elemental spirits, the shapes and figures are protean, its protagonists suddenly transformed into trees, horses, and demigods. In a single day, from one midsummer dawn to a fiery second, Dan and Franzisca, Wilma and Paul explore the labyrinths of literary creation and of their own dreams and desires. Since its publication in 1970 Zettel's Traum/Bottom's Dream has been regarded as Arno Schimdt's magnum opus, as the definitive work of a titan of postwar German literature. Readers are now invited to explore its verbally provocative landscape in an English translation by John E. Woods.
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LONGLISTED FOR THE JOYCE CAROL OATES PRIZE 2022 'With Teeth is a wonderfully sticky novel about motherhood, partnership, sex and love. Kristen Arnett lets her characters have the run of the place, and it's delicious fun to watch them do, say, and think things they'll regret' Emma Straub, author of All Adults Here 'Sublimely weird, fluently paced, brazenly funny and gayer still' Naoise Dolan, New York Times 'A darkly funny, brutally honest story about a woman undone by motherhood . . . With Teeth digs in deep and doesn't let go. I truly loved it' Jennifer Weiner, bestselling author of Mrs Everything and That Summer If she's being honest, Sammie Lucas is scared of her son. Working from home in...
Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-garde, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
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