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A Lebanese Archive
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The Tempest Society
Gathering together interviews, essays, rare archival material and translations, 'The Tempest Society' revisits and resuscitates the forgotten heritage of a politicised theatre group ? ?Al Assifa? ? that was born out of the struggles of the Mouvement des travailleurs arabes (MTA), Palestine, anti-colonialism, and workers? and immigrant labour rights. Contributors explore the legacy of the group ? placing this history in the context of the European economic crisis and its effect on Greece, contemporary migration and the conditions of immigrant workers and refugees. Conversations with the artist, and participants and collaborators in her film, consider the potential for politicised art to move between the street and the factory in cultural production today.00Following 'The Tempest Society' (2017), the original video installation commissioned for documenta 14, which took Athens as a site to reflect on democracy and theatre, the book brings to light the specific history, the archive, and the ongoing resonance of the agit-prop theatre group ?Al-Assifa? in the context of urgent economic, political and humanitarian upheaval. 0.
The Postconceptual Condition
If, as Walter Benjamin claimed, "it is the function of artistic form.to make historical content into a philosophical truth" then it is the function of criticism to recover and to complete that truth. Never has this been more necessary or more difficult than with respect to contemporary art. Contemporary art is a point of condensation of a vast array of social and historical forces, economic and political forms and technologies of image production. Contemporary art expresses this condition, Osborne maintains, through its distinctively postconceptual form. These essays-extending the scope and arguments of Osborne's Anywhere or Not at All: Philosophy of Contemporary Art-move from philosophical consideration of the changing temporal conditions of capitalist modernity, via problems of formalism, the politics of art and the changing shape of art institutions, to interpretation and analysis of particular works by Akram Zataari, Xavier Le Roy and Ilya Kabakov, and the postconceptual situation of a crisis-ridden New Music.
Active Genital
"Active Genital is a story told in pictures and presented as a graphic novel that traces the idealised projection of a child's development - between the ages of four to twelve - through its struggle with darkness and shadow to its eventual acceptance of love and harmony. The book is presented in three parts. The first part revisits drawings made by McCail that describe a homelife that at first glance appears somewhat banal, but on further scrutiny reveal a suburban hell of abuse, violence and sex. The second part is a text that recounts a succession of dreams - a recurring theme in McCail's work - that made a powerful impression on him along with a list of written works that have inspired him. The third part consists of large scale drawings that have been broken down into smaller parts revealing a framework of symbols, icons and characters rendered in the artist's characteristic graphic style that trace the child's progress through the world. The limits of this world are the edges of the paper, behind each main event lie many contributing stories where details invade the background spaces as more is remembered and still more is imagined."--Publisher's statement.
Homegrown
Julie Blackmon in conversation with Reese Witherspoon.
Dissonant Archives
The 'archive' is often viewed as a collection of historical documents that records and orders information about people, places and events. This view nevertheless obscures a crucial point: the archive, whilst subject to the vagaries of time and history, can also determine the future. This point has gained urgency in modern-day North Africa and the Middle East where the archive has come to the fore as a site of social, historical, theoretical, and political contestation. Dissonant Archives is the first book to consider the ways in which contemporary artists from the Middle East and North Africa - including Emily Jacir, Walid Raad, Jananne Al Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani...
Proximity Machine
"A series of static 'films' made from found and re-photographed images collated from a variety of sources. Edited into associative groupings, the newly formed series of short sequences construct fragments of narratives that allude to filmic language, writing, or chains of thought"--Publisher's catalog.
The Happy Hypocrite
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Making the Modern Turkish Citizen
Featuring over 100 colour images, this book explores the photographic self-representations of the urban middle classes in Turkey in the 1920s and the 1930s. Examining the relationship between photography and gender, body, space as well as materiality and language, its six chapters explore how the production and circulation of vernacular photographs contributed to the making of the modern Turkish citizen in the formative years of the Turkish Republic, when nation-building, secularization and modernization reforms took centre stage. Based on an extensive photographic archive, the book shows that individuals actively reproduced, circulated and negotiated the ideal citizen-image imposed by the K...
In the Vale of Cashmere
In the Vale of Cashmeremarks the culmination of acclaimed photographer Thomas Roma'sfour-year odyssey into a densely wooded, secluded corner of Brooklyn's Prospect Park, where gay cruising dominates the footpaths and trails. The Vale ofCashmere, a name that dates back to the 1890s, has long been a meeting place for gay men. and currently, mostly Black men. However, encounters occur between men of all walks of life, as well as gender and sexual identities. With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested,...
