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The Languages of Diaspora and Return
Until quite recently, the term Diaspora (usually with the capital) meant the dispersion of the Jews in many parts of the world. Now, it is recognized that many other groups have built communities distant from their homeland, such as Overseas Chinese, South Asians, Romani, Armenians, Syrian and Palestinian Arabs. To explore the effect of exile of language repertoires, the article traces the sociolinguistic development of the many Jewish Diasporas, starting with the community exiled to Babylon, and following through exiles in Muslim and Christian countries in the Middle Ages and later. It presents the changes that occurred linguistically after Jews were granted full citizenship. It then goes into details about the phenomenon and problem of the Jewish return to the homeland, the revitalization and revernacularization of the Hebrew that had been a sacred and literary language, and the rediasporization that accounts for the cases of maintenance of Diaspora varieties.
Christendom and Its Discontents
From the eleventh century onward, Latin Christendom was torn by discontent and controversy. As the Church and secular rulers defined more clearly than ever before the laws and institutions on which they based their power, they demanded greater uniformity and obedience to their authority. The essays in this book cast new light on the dynamics of repression, highlighting the controversies and discontent that troubled medieval society. Looking especially at the mechanisms underlying the dissemination of heterodoxy and its repression, the religious aspirations of women, the fate of non-Christian minorities in Europe, and changing boundaries between orthodoxy and heterodoxy, the authors provide a new understanding of the Church's response to the diversity of belief and practice by which it was confronted.
The Laity in the Middle Ages
Presents essays on the medieval European Catholic Church
Arrighetto
None
Art in Rome in the Eighteenth Century
"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
