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Detailing Trauma
In a series of linked essays, Detailing Trauma explores the many types of wounds from which the human body and spirit may suffer ... and heal. Zwartjes's poetic prose humanizes the technical descriptions of medical conditions and illuminates the scientific understanding of emotional states.
The Surfacing of Excess
A collection of poems by Arianne Zwartjes.
Detailing Trauma
In a series of linked lyric essays, Detailing Trauma explores in vivid, sometimes graphic detail the many types of wounds from which the human body and spirit may suffer—and heal. Mapping the diseases and injuries that can afflict the body, the author asks how we can continue to live and love in the face of the great potential for suffering and loss. She names each section of the book for body parts or processes, then juxtaposes the functions and failures of human anatomy with experiences in her own life and those of people she knows and loves, meticulously stitching together life’s fractures and ruptures with skillful narrative. Each essay offers glimpses of hope and reasons for living ...
Autotheory as Feminist Practice in Art, Writing, and Criticism
Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
These Dark Skies
In These Dark Skies, Arianne Zwartjes interweaves the experience of living in the southern Netherlands—with her wife, who is Russian—and the unfolding of both the refugee crisis across Europe and the uptick in terrorist acts in France, Greece, Austria, Germany, and the Balkans. She probes her own subjectivity, as a white American, as a queer woman in a transcultural marriage, as a writer, and as a witness. The essays investigate and meditate on a broad array of related topics, including drone strikes, tear gas, and military intervention; the sugar trade, the Dutch blackface celebration of Zwarte Piet, and constructions of whiteness in Europe and the U.S.; and visual arts of Russian avant-garde painters, an Iraqi choreographer living in Belgium, and German choreographer Pina Bausch. This is a lyrical, timely book deeply salient to the political moment we continue to find ourselves in: a moment of incredible anti-refugee and anti-immigrant sentiment, a moment of xenophobic and misogynistic violence.
Running to the Fire
In the streets of Addis Ababa in 1977, shop-front posters illustrate Uncle Sam being strangled by an Ethiopian revolutionary, parliamentary leaders are executed, student protesters are gunned down, and Christian mission converts are targeted as imperialistic sympathizers. Into this world arrives sixteen-year-old Tim Bascom, whose missionary parents have brought their family from a small town in Kansas straight into Colonel Mengistu's Marxist "Red Terror." Running to the Fire focuses on the turbulent year the Bascom family experienced upon traveling into revolutionary Ethiopia. The teenage Bascom finds a paradoxical exhilaration in living so close to constant danger. At boarding school in Addis Ababa, where dorm parents demand morning devotions and forbid dancing, Bascom bonds with other youth due to a shared sense of threat. He falls in love for the first time, but the young couple is soon separated by the politics that affect all their lives. Across the country, missionaries are being held under house arrest while communist cadres seize their hospitals and schools. A friend's father is imprisoned as a suspected CIA agent; another is killed by raiding Somalis.
Wild Woman
Runaway. Castaway. Prostitute. Hermit. Desert dweller. Saint. Boundary breaker. Archetypal wild woman. In the corner of a library, in a dusty stack of books, in the footnote of an obscure text, journalist Amy Frykholm discovered a short citation about Mary of Egypt, all but unknown to most, and herself a footnote in ancient history. Not knowing why or from where, Frykholm felt called by this ancient woman's story. Thus begins the story of her decades-long search to uncover the truth about the woman who, by her own devices, figured out how to acquire what she most wanted--and when she did, discovered that it wasn't enough. With a scholar's eye and a mystic's heart, Frykholm offers a look at an elusive and dynamic figure from history while offering insights into our own inner--and potentially rewilded--lives. In search of Mary, the author traveled throughout Egypt, Israel, Palestine, and Jordan, walking deeper and deeper into the desert, across thresholds of space and time, to find the meaning of Mary of Egypt's life--as well as her own embrace of the wild and sacred within.
Happenstance
Reflecting on how a student’s parents met because of a fly ball to center field in a summer softball game, author Robert Root wondered how the lives of that student’s parents and of the student himself would have changed had the batter bunted or struck out. Haunted by this pure example of happenstance, he began to ponder his own existence, dependent in part on geology (the Niagara Escarpment) and history (the Erie Canal). He wondered how happenstance had influenced the course of his parents’ lives, in particular their marriages (they married and divorced each other twice), and consequently the shaping of his identity. Happenstance investigates the effects of that phenomenon and choice ...
Immediacy, or The Style of Too Late Capitalism
Contemporary cultural style boosts transparency and instantaneity. These are values absorbed from our current economic conditions of "disintermediation": cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. "Flow" is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub. And the bad news is that political turmoil and social challenges require more mediation. Collective will, inspiring ideas, and deliberate construction are the only way out, but our dominant style forgoes them. Considering original streaming TV, popular literature, artworld trends, and academic theories, Immediacy explains the recent obsession with immersion and today's intolerance of representation, and points to alternative forms in photography, TV, novels, and constructive theory that prioritize distance, impersonality, and big ideas instead.
Stories We Tell Ourselves
The two thought-provoking, extended essays that make up Stories We Tell Ourselves draw from the author’s richly diverse experiences and history, taking the reader on a deeply pleasurable walk to several unexpectedly profound destinations. A steady accumulation of fascinating science, psychoanalytic theory, and cultural history—ranging as far and wide as neuro-ophthalmology, ancient dream interpretation, and the essential differences between Jung and Freud—is smoothly intermixed with vivid anecdotes, entertaining digressions, and a disarming willingness to risk everything in the course of a revealing personal narrative. “Dream Life” plumbs the depth of dreams—conceptually, biologi...
