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Gurlesque
A new anthology of wicked, subversive young women poets
I Live in the Country & Other Dirty Poems
"Sexually explicit poems that address the radical possibilities of a woman's pleasure and the endless varieties of human desire. Arielle Greenberg's I Live in the Country & other dirty poems exploits and undoes the stereotype of the "wholesome country life." Here, the speaker moves to the country ("where the animals are") in order to live a whole life, one in which she can live honestly and openly in a non-monogamous marriage. Her book is a visceral, erotic celebration of the cornucopia of sexual pleasures to be had in that rural life-in the muck of a pasture in spring or behind the bins of whole-wheat pastry flour at the local Co-op. Greenberg hauls out what has previously been stored under dark counters and labeled deviant-kink, fetish, and bondage- and moves it into the sunshine of sex-positivity and mutual consent. In doing so, she forges new literary territory-a feminist re-visioning of the Romantic pastoral poems of seduction. "I am trying to turn my eye toward joy," she writes. "My heart toward bliss.""--
Locally Made Panties
Literary Nonfiction. Poetry. Hybrid Genre. A transgenre (prose poem? flash nonfiction?) exploration of fashion, style, body image, consumerism, and other related ventures into of the personal-political, LOCALLY MADE PANTIES is light- hearted, deadpan and deadly serious. After asking herself what she was truly most scared to admit in her writing—what was most taboo—Greenberg realized that, rather than sex or family history, what felt the most revealing and terrifying was to confess how much time she spent thinking about hairstyles and shoes. Stuff that, perhaps, a professor of poetry, a so-called intellectual and feminist, a person who cares about justice and activism, a busy working mother and wife, does not want to admit thinking about. So, in a series of book-length short first-person essays, Greenberg thinks about war, What Not to Wear, fat, conceptual art, lingerie, pregnancy, J. Crew, activism, breasts, street attention, vintage clothes, feminism, Project Runway and money, and the connections between it all.
Women Poets on Mentorship
Short essays by women poets on mentoring women poets; includes poems by the subjects and authors.
Torn Awake
A new collection by one of America's most respected young experimental poets.
Starting Today
The poems in this anthology document the political and personal events of the president's crucial first days through a variety of contemporary poetic voices.
Youth Subcultures
Youth Subcultures uses a cultural studies lens to explore contemporary American youth subcultures such as skateboarding, punk, Goth, and raves in a brief, flexible, and inexpensive reader. Part of the Longman Topics reader series, this collection of lively essays on controversial subcultures helps students think critically about contemporary culture and issues such as class, race, and gender as well as language, identity, and ritual. Youth Subcultures also contains a variety of writing genres that range from personal creative non-fiction to interviews to traditional research and argumentative essays. Rather than write about topics beyond their experience, students can examine their own experiences critically as they engage an exciting and accessible scholarly field.
A Toast in the House of Friends
"Don't expect sense from these poems, in which grief, politics, literary theory, and sexuality interweave. But do expect language surprise and beautiful metaphors. . . . When [Akilah] Oliver presents her experiences in metaphor-rich language, the reader feels what she feels: incredible loss, infinite pain."--Library Journal "An extraordinary gift for everyone."--Alice Notley Written for her son, Oluchi McDonald (1982-2003), Akilah Oliver's poems incorporate prose, theory, and lyric performance into a powerful testimony of loss and longing. In their journey through the borderlands of sorrow, they grapple with violence, find expression in chants, and, like the graffiti she analyzes, become a place of public and artistic memorial. "If memory is the act of bearing witness," she writes, "then the dream is a friend driving us somewhere." Akilah Oliver is the author of the she said dialogues, recipient of the PEN/Beyond Margins Award. Born and raised in Los Angeles, she currently lives in Brooklyn and curates the Monday Night Reading Series at the Poetry Project.
Pride and Promiscuity
A brilliantly executed parody of Jane Austen's 'forgotten' sex scenes
The Body
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