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The Culture Facade
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Ambivalence, Modernity, Power
By incorporating a variety of critical approaches within a feminist framework, the author here argues that Mexican women writers participate in a crucial project of unsettling dominant discourses as they strive for new ways of capturing the ambivalent position of the Mexican women in their texts.
My Life in 100 Objects
Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit. As Randall’s adventur...
To Change the World
In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time. Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us...
Marx and Latin America
In a work centred on Marx's harsh biography of Simón Bolívar, José Aricó examines why Latin America was apparently 'excluded' from Marx's thought, challenging the allegation that this expressed some 'Eurocentric' prejudice. Aricó shows how the German thinker's hostility towards the Bonapartism and authoritarianism he identified in the Liberator coloured his attitude towards the continent and the significance of its independence-processes. Whilst criticising Marx's misreading of Latin-American realities, Aricó demonstrates contemporaneous, countervailing tendencies in Marx's thought, including his appraisal of the revolutionary potentialities of other 'peripheral' extra-European societies. As such, Aricó convincingly argues that Marx's work was not a dogma of linear 'progress', but a living, contradictory body of thought constantly in development. English translation of the Marx y América Latina edition, Fondo de Cultura Económica, 2010.
Revolutionary Violence and the New Left
Leading figures and rising stars in the field present the first contribution explaining the transnational nature of the revolutionary violence of the New Left. Focusing on the processes of dissemination of ideologies and mobilization of ideas and repertoires of action among the revolutionary organizations of the New Left in Latin America, Europe, and the United States, this book contributes to our understanding of the dynamics of the New Left wave and, at the same time, helps explain the "why" of the emergence of very similar armed leftist groups in vastly different geographical and political contexts.
Revolutionary Hope in a Time of Crisis
Revolutionary Hope in a Time of Crisis takes up the question of how to theorize and revive revolutionary hope in the present era of political disillusion. The collection consists of new cutting-edge research essays written by an interdisciplinary mix of established and emerging scholars, bringing together a wide range of intellectual traditions and perspectives. The contributors confront the challenge of relearning hope by exploring the politically transformative potential of past disappointments and defeats. They encourage us to acknowledge, come to terms with and learn from the complexities, failures, and losses entailed in resistance, and to consider them as an occasion for rethinking the...
Autobiographical Writings on Mexico
This is the definitive bibliography of autobiographical writings on Mexico. The book incorporates works by Mexicans and foreigners, with authors ranging from disinherited peasants, women, servants and revolutionaries to more famous painters, writers, singers, journalists and politicians. Primary sources of historic and artistic value, the writings listed provide multiple perspectives on Mexico's past and give clues to a national Mexican identity. This work presents 1,850 entries, including autobiographies, memoirs, collections of letters, diaries, oral autobiographies, interviews, and autobiographical novels and essays. Over 1,500 entries list works from native-born Mexicans written between 1691 and 2003. Entries include basic bibliographical data, genre, author's life dates, narrative dates, available translations into English, and annotation. The bibliography is indexed by author, title and subject, and appendices provide a chronological listing of works and a list of selected outstanding autobiographies.
C Wright Mills An American Utopia
A biography of legendary sociologist C. Wright Mills, author of The Power Elite and White Collar, among other works, by eminent sociologist Irving L. Horowitz. Charles Wright Mills (1916-1962) was a famed sociologist, social commentator and critic. Noted for his anti-authoritarian, flamboyant character and radical ideas, he has been described as an ‘American Utopian’ – committed to social change, angered by the oppression he saw around him, and critical of what he saw as evidence of U.S. imperialism. His legacy includes a series of classic books – including The Power Elite, White Collar, and The Sociological Imagination -- and he has made a distinctive contribution to American sociological theory, especially in the area of class, power and social structure.
Rethinking Juan Rulfo's Creative World
Though primarily known for his haunting, enigmatic novel Pedro Páramo and the unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection, El Llano en llamas, Juan Rulfo also worked as scriptwriter on various collaborative film projects and his powerful interventions in the area of documentary photography ensure that he continues to inspire interest worldwide. Bringing together some of the most significant names in Rulfian scholarship, this anthology engages with the complexity and diversity of Rulfo’s cultural production. The essays in the collection bring the Rulfian texts into dialogues with other cultural traditions and techniques including the Ja...
