You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"The life and career of a spy, the German-born Johann Heinrich Amadeus "Johnny" de Graaf (1894-1980), who was a double agent for the British against the Soviets before the Second World War, and worked for Canada against Canadian Fascists during the war"--Provided by publisher.
DIVArgues that the reform of military recruitment in Brazil had a profound impact, second only to the abolition of slavery, on institutions of social discipline and the lives of the poor./div
As Latin American elites strove to modernize their cities at the turn of the twentieth century, they eagerly adopted the eugenic theory that improvements to the physical environment would lead to improvements in the human race. Based on Jean-Baptiste Lamarck’s theory of the “inheritance of acquired characteristics,” this strain of eugenics empowered a utopian project that made race, gender, class, and the built environment the critical instruments of modernity and progress. Through a transnational and interdisciplinary lens, Eugenics in the Garden reveals how eugenics, fueled by a fear of social degeneration in France, spread from the realms of medical science to architecture and urban...
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
This groundbreaking study tells the story of the highly organised, international legal court case for the abolition of slavery spearheaded by Prince Lourenço da Silva Mendonça in the seventeenth century. The case, presented before the Vatican, called for the freedom of all enslaved people and other oppressed groups. This included New Christians (Jews converted to Christianity) and Indigenous Americans in the Atlantic World, and Black Christians from confraternities in Angola, Brazil, Portugal and Spain. Abolition debate is generally believed to have been dominated by white Europeans in the eighteenth century. By centring African agency, José Lingna Nafafé offers a new perspective on the abolition movement, showing, for the first time, how the legal debate was begun not by Europeans, but by Africans. In the first book of its kind, Lingna Nafafé underscores the exceptionally complex nature of the African liberation struggle, and demystifies the common knowledge and accepted wisdom surrounding African slavery.
This book investigates the diverse ways in which the Portuguese language expanded in Brazil, despite the multilingual landscape that predominated before and after the arrival of the Europeans and the African diaspora. Challenging the assumption that the prevalence of Portuguese was a natural consequence and foregone conclusion of colonisation, the book argues that the language’s expansion was as much a result of state intervention as of individual agency. The growth of the Portuguese language was a tumultuous process that mirrored the power relations and conflicts between Amerindian, European, African, and mestizo actors who shaped, standardised, and promoted the language within and beyond...
The essays in this book constitute an analytic survey of the last two centuries of Afro-Bahian history, with a focus squarely on the difficult relationship between Afro- and Euro-Bahia and on the continual Afro-Bahian struggle to create a meaningful culture in an environment either hostile or suffocating in its ability to absorb elements of Afro-Bahian culture.
June E. Hahner’s pioneering work,Emancipating the Female Sex,offers the first comprehensive history of the struggle for women’s rights in Brazil. Based on previously undiscovered primary sources and fifteen years of research, Hahner’s study provides long-overdue recognition of the place of women in Latin American history. Hahner traces the history of Brazilian women’s fight for emancipation from its earliest manifestations in the mid-nineteenth century to the successful conclusion of the suffrage campaign in the 1930s. Drawing on interviews with surviving Brazilian suffragists and contemporary feminists as well as manuscripts and printed documents, Hahner explores the strategies and ideological positions of Brazilian feminists. In focusing on urban upper- and middle-class women, from whose ranks the leadership for change arose, she examines the relationship between feminism and social change in Brazil’s complex and highly stratified society.
An environmental history and political ecology of palm oil in colonial Brazil, the African diaspora, and the Atlantic World.