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Cycladic Art
At the dawn of European history, in the third millennium BC, the group of small Greek islands in the southern Aegean known as the Cyclades was the home of a remarkable and distinctive culture.
Cycladic Art
The N.P. Goulandris Collection of Early Cycladic art is the most notable in private hands and is unrivaled by any museum outside Greece. It contains over 200 objects, including many fine Cycladic figurines, as well as marble vessels, pottery and metalwork. The first Cycladic figurines acquired by travelers in Greece in the nineteenth century were described as 'rude','grotesque' and 'barbaric'. Yet now they are admired all over the world. They are the earliest sculptures from Greek Iands, but their simple form and purity of line speak directly to the modern eye. The introductory chapters by Professors, Renfrew and Doumas survey the historical and cultural background to the Collection, and discuss styles, materials and techniques. A short essay by Dr. P. Getz-Preziosi introduces a sculptor who created masterpieces over four thousand years ago. Three of his finest works are in the Collection and he is now known as the Goulandris Master. Christos Doumas is Professor of Archaeology at the University of Athens. He has worked in the Cyclades for many years, and has had a long and close association with the Goulandris Collection, which he was the first to catalogue in 1968.
Aegean Waves
Late Neolithic and Early Bronze Age Cycladic culture is best known for its flat female idols carved out of the islands' pure white marble. This beautiful illustrated book explores these periods in Cycladic culture and how the natural environment of the islands shaped its art. It also addresses the settlements of these periods and the artifacts produced by their potters, marble-carvers, and metalworkers. Maps are interspersed throughout the text, along with a chronological table, plans of known settlements, cemeteries, and individual tombs, as well as photographs of archaeological digs and landscapes by well-known photographers. Items from the Museum's Collection are also presented, followed by commentary and comprehensive text that venture at the items' probable significance and functions.
Early Cycladic Sculpture
First published in 1985, this ground-breaking book surveys the development of Cycladic sculpture produced by unidentified artists who worked in the Aegean islands forty-five hundred years ago. Illustrated with numerous objects from American collections—with particular emphasis on some two dozen pieces in the Getty Museum—this volume surveys the typological development of Early Cycladic sculpture and identifies, where possible, the work of individual sculptors. Newly revised and updated, this book is a concise introduction to the field.
Cycladic Art
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Cycladic Art
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Silent Witnesses
The exhibition Silent Witnesses is a succinct presentation in the third millennium AD of the picture we have of the Cycladic islanders in the third millennium BC. Cycladic works of art speak to the modern audience both through their silence, as objects of unique conception and beauty, and as testimonies of a brilliant and significant culture that flourished in the Cyclades at the dawn of Western Civilization. Silent Witnesses is divided into three thematic sections: Simple Beauty, In His Own Image, and Silent Witnesses. In Simple Beauty, the exhibition presents streamlined, elegant objects with quotidian uses but whose beauty places them in the realm of sculpture. These artifacts were made f...
Personal Styles in Early Cycladic Sculpture
Getz-Gentle (an independent scholar) has seen many of the examples that exist in the course of her career studying Cycladic sculpture. She presents in this volume a catalog of Cycladic sculpture which she has organized into stylistic categories based on formal analysis. The methods she used to arrive at her conclusions, as well as her theory of how the sculptures were produced are discussed at length. Annotation copyrighted by Book News Inc., Portland, OR
