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This book is unique. Chris has spent the last few years tracking down hundreds of the amazing people he photographed in the 1970s, 80s and 90s. Some were easy, some were hard, some were impossible to find. When he was successful, Chris arranged a reunion at the location of the original photograph and took another picture. This book is an incredible collection of those pairs of photographs with text from writer Jo Riley telling the stories of the people in the photos.
Annely Juda Fine will be exhibiting David Hockney's series of 16 iPad drawings; The Arrival of Spring. These bold and striking iPad drawings have been printed on paper in an edition of 25. A further four prints have been printed in large format and mounted on dibond in an edition of 10.
A beguiling look at the collaborative nature of art and design in postwar British Columbia.
Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
We are sick of it, being ignored We are sick of it, being indoors No Guts, No Heart, No Glory explores being young, fearless and doing the unexpected. Working closely with five 16-22-year-old Muslim women and former National Champion boxer Ambreen Sadiq. This play represents a young Muslim female experience of life in the UK. It speaks to young people and will make them feel braver and encourage them to live how they want to live, so that they are free and confident to make their own choices tomorrow. 'Common Wealth are an award-winning, Bradford-based company who make site-specific theatre events that are political and contemporary – based in the present day – the here and now. Our idea...