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Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology
Combining a guide for the Museum visitor with scholarly discussions of all objects on display, this catalogue provides background on the society, history, technology, and commerce of the Etruscan and Faliscan cultures from the ninth through the first centuries B.C. Several groups of material illustrate social, historical, and technological phenomena currently at the forefront of scholarly debate and study, such as the crucial period of the turnover from Iron Age hut villages to the fully urbanized princely Etruscan cities, the development and extent of ancient literacy, and the position of women and children in ancient societies. Many special objects seldom found or generally inaccessible in...
Painting as Business in Early Seventeenth-century Rome
Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini&’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists&’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.
Rome in the Age of Enlightenment
This is the only scholarly work in the English language on the city of Rome in the Age of the Enlightenment, and the only book in any language to treat this fascinating city in all its multifarious aspects. Professor Gross combines extensive archival research with the latest findings of other scholars to produce a uniquely rounded portrait of the papal capital, elegantly illustrated with contemporary engravings by Piranesi and others. The book is divided into two sections, in the first of which Professor Gross discusses the material and institutional structures of the city, including its demography, economy, food supply, and judicial systems. The second section considers aspects of intellectual, cultural, and artistic life. Professor Gross contends not only that ancien-regime Rome witnessed a decline in Counter-Reformation fervour, but that this decay resulted in a marked dissonance in the political, social, and cultural life of the city.
Fukushi Ito - In the space and in the time
Fukushi Ito vive e lavora tra Italia e Giappone, ma per lei appartenere a due mondi lontani non significa rinuncia a qualcosa o crisi di identità; al contrario è il privilegio di poter avere due patrie,di poter raggiungere una sintesi superiore, perché come artista asiatica, e in particolare giapponese, l’identità è un fattore non statico: ma ciò che è stato, ciò che è, ciò che potrà essere. Il lavoro di Fukushi Ito è un infinito esercizio poetico, un esplorare il mondo per trovare la sintesi artistica che definisca la presenza delle cose nello spazio e nel tempo. Scrive Roberto Mastroianni: “Fukushi Ito si interroga, vede le dinamiche con cui la realtà prende forma e decide di riproporle artisticamente”.
The Making of Measure and the Promise of Sameness
An interdisciplinary history of standardized measurements. Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case. This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a globa...
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Niccol Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493
A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Bninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccol di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccol established his business there and published a number of influential books. Among these were Marsilio FicinoÕs De christiana religione, Leon Battista AlbertiÕs De re aedificatoria, Cristoforo LandinoÕs commentaries on DanteÕs Commedia, and Francesco BerlinghieriÕs Septe giornate della geographia. Many of these books were printed in vernacular...
Landscape Lab
This book explores the relationship between the sciences of representation and the strategy of landscape valorisation. The topic is connected to the theme of the image of the city, which is extended to the territory scale and applied to case studies in Italy’s Umbria region, where the goal is to strike a dynamic balance between cultural heritage and nature. The studies demonstrate how landscape represents an interpretive process of finding meaning, a product of the relationships between mankind and the places in which it lives. The work proceeds from the assumption that it is possible to describe these connections between environment, territory and landscape by applying the Vitruvian triad, composed of Firmitas (solidity), Utilitas (utility) and Venustas(beauty). The environment, the sum of the conditions that influence all life, represents the place’s solidity, because it guarantees its survival. In turn, territory is connected to utility, and through its etymological meaning is linked to possession, to a domain; while landscape, as an “area perceived by people”, expresses the search for beauty in a given place, the process of critically interpreting a vision.
