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""Here at last we have in Professor Phillips' book an indispensable road map to guide us in our understanding of Christianity in postwar Japan. His research is impressive, prodigious, and carefully conceived. His findings are illuminating, disturbing, and hopeful. I predict that this book will remain definitive in its field for many years to come."" Robert Lee, San Francisco Theological Seminary, author of Stranger in the Land: The Church in Japan ""A helpful survey and source book for the understanding of the historical development of Christianity in Japan since 1945."" Masao Takenaka, Doshisha University, Kyoto, Japan ""This is an illuminating and scholarly study of the churches in Japan s...
"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary ...
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.
Reveals how the artist recorded his memories of the American railroad and the traveling circus as landscapes.
In this lively account of Arizona's Rim Country War of the 1880s--what others have called "The Pleasant Valley War"--Historian Daniel Justin Herman explores a web of conflict involving Mormons, Texas cowboys, New Mexican sheepherders, Jewish merchants, and mixed-blood ranchers. At the heart of Arizona's range war, argues Herman, was a conflict between cowboys' code of honor and Mormons' code of conscience.
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The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the biblical figure of Cain, while presenting a critical framework valid for boundary-crossing comparative approaches. From Graham Greene’s The Power and the Glory and Malcolm Lowry’s Under the Volcano, to Wo...
Second Stories offers an innovative reexamination of selected texts by seven major figures in American literature. Combining close reading with a powerful ideological argument, Cynthia Jordan demonstrates that a concern with the patriarchal politics of language informs both the thematic content and overall shape of much of the fiction of these writers.
Gothic to Multicultural: Idioms of Imagining in American Literary Fiction, twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper’s The Spy, Antarctica as world-genesis in Poe’s The Narrative of Arthur Gordon Pym, the link of “The Custom House” and main text in Hawthorne’s The Scarlet Letter, reflexive codings in Melville’s Moby-Dick and The Confidence-Man, Henry James’ Hawthorne as self-mirroring biography, and Stephen Crane’s working of his Civil War episode in The Red Badge of Courage. Two compo...
Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn...