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The Crisis of the European Sciences is Husserl's last and most influential book, written in Nazi Germany where he was discriminated against as a Jew. It incisively identifies the urgent moral and existential crises of the age and defends the relevance of philosophy at a time of both scientific progress and political barbarism. It is also a response to Heidegger, offering Husserl's own approach to the problems of human finitude, history and culture. The Crisis introduces Husserl's influential notion of the 'life-world' – the pre-given, familiar environment that includes both 'nature' and 'culture' – and offers the best introduction to his phenomenology as both method and philosophy. Dermot Moran's rich and accessible introduction to the Crisis explains its intellectual and political context, its philosophical motivations and the themes that characterize it. His book will be invaluable for students and scholars of Husserl's work and of phenomenology in general.
This work provides a general guide to the domain of contemporary philosophy for the nonspecialist.
Edmund Husserl is generally regarded as the founding figure of the philosophical movement of “phenomenology,” by which he understands a descriptive science of the essential structures of experiences and of their objects precisely as these are experienced. Phenomenology has had a decisive influence on philosophy in the 20th century, especially in Europe. The movement known as “continental philosophy,” whether practiced in Europe or elsewhere, has its roots in phenomenology and in the post-Hegelian philosophies of Søren Kierkegaard, Friedrich Nietzsche, and Karl Marx. Historical Dictionary of Husserl's Philosophy, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on his key concepts and major writings as well as entries on his most important predecessors, contemporaries, and successors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Edmund Husserl.
In the spring of 1929, Martin Heidegger and Ernst Cassirer met for a public conversation in Davos, Switzerland. They were arguably the most important thinkers in Europe, and their exchange touched upon the most urgent questions in the history of philosophy: What is human finitude? What is objectivity? What is culture? What is truth? Over the last eighty years the Davos encounter has acquired an allegorical significance, as if it marked an ultimate and irreparable rupture in twentieth-century Continental thought. Here, in a reconstruction at once historical and philosophical, Peter Gordon reexamines the conversation, its origins and its aftermath, resuscitating an event that has become entomb...
Ernst Cassirer (1874–1945) occupies a unique place in 20th-century philosophy. His view that human beings are not rational but symbolic animals and his famous dispute with Martin Heidegger at Davos in 1929 are compelling alternatives to the deadlock between 'analytic' and 'continental' approaches to philosophy. An astonishing polymath, Cassirer's work pays equal attention to mathematics and natural science but also art, language, myth, religion, technology, and history. However, until now the importance of his work has largely been overlooked. In this outstanding introduction Samantha Matherne examines and assesses the full span of Cassirer’s work. Beginning with an overview of his life ...
Sextus Empiricus was the voice of ancient Greek skepticism for posterity, providing a model of skeptical philosophy that remains significant to this day. This volume collects essays discussing Sextus's influence in the history of modern philosophy as well as contemporary engagements with Sextus's version of Pyrrhonian skepticism.
An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level. This translation of Pico della Mirandola's famed "Oration," hitherto hidden away in anthologies, was prepared especially for Gateway Editions, making it available for the first time in a stand-alone volume. The youngest son of the Prince of Mirandola, Pico lived during the Renaissance, an era of change and philosophical ferment. The tenacity with which he clung to fundamental Christian teachings while crying out against his brilliant though half-pagan contemporaries made him exceptional in a time of exceptional men. While Pico, as Russell Kirk observes in his introduction, was an ardent spokesman for the "dignity of man," his devout nature elevated humanism to a truly Christian level, which makes his writing as pertinent today as it was in the fifteenth century.
This major new study of Heidegger is the first to examine in detail the concept of existential truth that Heidegger developed in the 1920s. Daniel Dahlstrom offers a critical focus on the genesis, nature, and viability of Heidegger's radical reconceptualization. The book has several distinctive and innovative features. First, it is the only study that attempts to understand the logical dimension of Heidegger's thought in its historical context. Second, no other book-length treatment explores the breadth and depth of Heidegger's confrontation with Husserl, his erstwhile mentor. Third, the book demonstrates that Heidegger's deconstruction of Western thinking occurs on three interconnected fronts: truth, being, and time.
In this work Dan Rottenberg shows how to successfully trace your Jewish family back for generations by probing the memories of living relatives; by examining marriage licenses, gravestones, ship passenger lists, naturalization records, birth and death certificates, and other public documents; and by looking for clues in family traditions and customs.
In four extended case studies, the book traces the way in which central concepts of the aesthetics later termed "Frankfurt School" were deeply rooted in contemporary developments in painting, photography, architecture and films as well as psychology, advertising and the discipline of art history as it was practised by figures such as Heinrich Wolfflin, Erwin Panofsky, Wilhelm Pinder and Hans Sedlmayr. By studying the emergence and importance of the concepts of 'fashion', 'distraction', 'non-simultaneity' and 'mimesis' in the work of the critical theorists, the book traces the shifting intersection between the history of art and the Frankfurt School and seeks to uncover its specific logic.