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A reference guide to the characters and performers in French comic operas from the 18th and 19th centuries, written by the music critic and historian Arthur Pougin. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Hardcover reprint of the original 1915 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Pougin, Arthur. A Short History Of Russian Music. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Pougin, Arthur. A Short History Of Russian Music, . London, Chatto & Windus, 1915. Subject: Music
This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.
Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic, revealing how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance [editor].