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The Pendragon Legend
"An absolute treat, deliciously ludic, to be read with a big smile on your face throughout."—Nicholas Lezard, Guardian AT THE END-OF-LONDON-SEASON soiree, the young Hungarian scholar-dilettante Janos Batky is introduced to the Earl of Gwynedd, a reclusive eccentric who is the subject of strange rumours. Invited to the family seat, Pendragon Castle in North Wales, Batky receives a mysterious phone-call warning him not to go. But he does, and finds himself in a bizarre world of mysticism and romance, animal experimentation, and planned murder. His quest to solve the central mystery takes him down strange byways-old libraries and warehouse cellars, Welsh mountains and underground tombs.
The Soldiers of Halla
The final installment of the #1 New York Times bestselling series! Every question is answered. Every truth is revealed. The final battle has begun. It was all leading up to this moment. Nine books—nine battles for nine territories—have brought Bobby Pendragon to where he is now. At last, Bobby and the rest of the travelers must join forces in an epic war against Saint Dane for not only one last territory, but for all of Halla. With more than three million books in print, the number one New York Times bestselling Pendragon series has a huge and passionate fan base, and these fans will not be disappointed as the series comes to an action-packed and satisfying conclusion in the tenth and final installment.
The Merchant of Death
Bobby Pendragon is a seemingly normal and somewhat reluctant 14- year-old boy who is swept into an amazing five-year quest.
The Complete Copland
This candid, colorful memoir as told in the composer's own voice begins with Copland's Brooklyn childhood and takes us through his years in Paris, the creation of early works, years as the leader of young composers in New York City, Tanglewood and around the world."
The Lost City of Faar
When Pendragon finds himself in the war-stricken territory of Cloral, he and his uncle take it upon themselves to rid the area of marauders and locate the legendary lost land of Faar, which may hold the key to Cloral's survival.
Pendragon
"Pendragon has all the hallmarks of a traditional historical adventure story . . . However, there is also intellectual heft to this story, with its themes of myth-making and the nature of power." Antonia Senior THE TIMES Here is the beginning of a legend. Long before Camelot rose, a hundred years before the myth of King Arthur was half-formed, at the start of the Red Century, the world was slipping into a Dark Age... It is AD 367. In a frozen forest beyond Hadrian’s Wall, six scouts of the Roman army are found murdered. For Lucanus, known as the Wolf and leader of elite unit called the Arcani, this chilling ritual killing is a sign of a greater threat. But to the Wolf the far north is a fo...
Humanities
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Journey by Moonlight
'Antal Szerb is one of the great European writers' Ali Smith 'A novel to love as well as admire, always playful and ironical, full of brilliant descriptions, bon mots and absurd situations' Guardian A major modern classic: the turbulent story of a businessman torn between middle-class respectability and sensational bohemoia Mihály and Erzsi are on honeymoon in Italy. Mihály has recently joined the respectable family firm in Budapest, but as his gaze passes over the mysterious back-alleys of Venice, memories of his bohemian past reawaken his old desire to wander. When bride and groom become separated at a provincial train station, Mihály embarks on a chaotic and bizarre journey that leads ...
Ombra
Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror, ' thus placing ombra music in an important position in the context of eighteenth-century aesthetic theory.
Conceptualizing Music
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
