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Exodus
The desire for vengeance has existed since long before Greek gods ruled the realms, but it took the arrival of the modern age for it to be fulfilled. Myrick Kerr, jovial Omega Group agent and last of the merpeople, hungers for a mission requiring his unique underwater abilities. Too bad all of his assignments are on dry land. When he’s sent to investigate the sudden reappearance of ships lost in the Bermuda Triangle, he gets his wish. In the depths of the infamous triangle, a wall created eons ago—separating this dimension from a supernatural prison—is failing. Once it’s gone, the evil it was built to contain will escape into the world. Now, Myrick must defeat a foe that even the gods can’t kill, or mankind will face the same fate his people did—total annihilation.
A Companion to American Gothic
A Companion to American Gothic features a collection of original essays that explore America’s gothic literary tradition. The largest collection of essays in the field of American Gothic Contributions from a wide variety of scholars from around the world The most complete coverage of theory, major authors, popular culture and non-print media available
Alive with death
In December 1914, with their soldiers ‘chewing barbed wire in Flanders’, British politicians looked for alternatives to stalemate on the Western Front. Their gaze settled upon the Dardanelles. The Turks, recently defeated by lesser powers, couldn’t resist the combined might of the British and French empires. They would run at the sight of the Allied fleet. Or so some chose to believe. This book offers an unparalleled collection of first-hand accounts by those who made history and those who lived it, from prime ministers to private soldiers, from the offices of Whitehall to the dusty dugouts of the peninsula. All accounts were written at the time, without the benefit or bias of hindsight. How did a naval demonstration to aid the Russians lead to the first amphibious landings on a defended shore in modern times? Was it a flash of strategic genius, a worthwhile gamble or did ‘criminal idiots attempt the impossible’? Gain a new perspective on the Gallipoli Campaign as you watch the story unfold with each passing day.
Hearts of Darkness: Melville, Conrad and Narratives of Oppression
The volume came about as a result of a joint effort at a bifocal reflection of the international community of Melvillians and Conradians in Szczecin, Poland, in August 2007. What became clear in formal and informal discussion among the participants of that international gam was that Herman Melville and Joseph Conrad Korzeniowski shared the intuition that the essential liquidity of the existential human condition necessitates a “universal squeeze of the hand.” This idea, beautifully conceptualized by Melville in chapter 94 of Moby-Dick, caused both writers to examine in their complex narratives the ways in which various kinds of oppression prevent this desired possibility (read more in the Introduction).
Never Alone
Book Delisted
The Queer Sixties
The Queer Sixties assembles an impressive group of cultural critics to go against the grain of 1960s studies, and proposes new and different ways of the last decade before the closet doors swung open. Imbued with the zeitgeist of the 60s, this playful and powerful collection rescues the persistence of the queer imaginary.
The New Western
American moviegoers have long turned to the Hollywood Western for reassurance in times of crisis. During the genre's heyday, the films of John Ford, Howard Hawks and Henry Hathaway reflected a grand patriotism that resonated with audiences at the end of World War II. The tried-and-true Western was questioned by Ford and George Stevens during the Cold War, and in the 1960s directors like Sam Peckinpah and George Roy Hill retooled the genre as a commentary on American ethics during the Vietnam War. Between the mid-1970s and early 1990s, the Western faded from view--until the Gulf War, when Kevin Costner's Dances with Wolves (1990) and Clint Eastwood's Unforgiven (1992) brought it back, with moral complexities. Since 9/11, the Western has seen a resurgence, blending its patriotic narrative with criticism of America's place in the global community. Exploring such films as True Grit (2010) and Brokeback Mountain (2005), along with television series like Deadwood and Firefly, this collection of new essays explores how the Western today captures the dichotomy of our times and remains important to the American psyche.
Violence in the Contemporary American Novel
Framing his study with two cases of violence involving children in Chicago, he notes the degree to which violence in the novels is perpetrated by adults against children or, even more shockingly, by children against children.".
