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First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Friedrich Weinbrenner was the first internationally important German architect of the nineteenth century. His planning for the city of Karlsruhe—and his design of every imaginable type of structure, including palaces, churches, synagogue, government buildings, city gates, shops, fountains, theaters, armories, cemetery buildings and farms—is a remarkable achievement. This collection includes treatment of Weinbrenner's contributions to agricultural architecture. Based on new rationalist models that were greatly influenced by the scientific movement in the mideighteenth century.
No century in modern European history has built monuments with more enthusiasm than the 19th. Of the hundreds of monuments erected, those which sprang from a nation-wide initiative and addressed themselves to a nation, rather than part of a nation, we may call national monuments. Nelson's Column in London or the Arc de Triomphe in Paris are obvious examples. In Germany the 19th century witnessed a veritable flood of monuments, many of which rank as national monuments. These reflected and contributed to a developing sense of national identity and the search for national unity; they also document an unsuccessful effort to create a «genuinely German» style. They constitute a historical record, quite apart from aesthetic appeal or ideological message. As this historical record is examined, German national monuments of the 19th century are described and interpreted against the background of the nationalism which gave birth to them.
In the present book an effort has been made to bring the reader to look on the city as an entity which expresses certain ideals. The individual monuments, the buildings, thus become part of a whole. The cities are not all treated in the same fashion or according to a particular method. The chapters are as varied as the subjects, for there are no two cities in the world that are identical.
German Classicism is a powerful architectural force that is only now being fully studied. As this extensively illustrated book shows, palaces, private houses, public buildings, and urban planning all received patronage on a scale that could not be paralleled in other countries. Of the host of architects whose genius was given such superb opportunities in the years 1740 to 1840, only Karl Freidrich Schinkel's name has become widely known; yet this book points out, all over Germany rulers were dramatically transforming their capitals, and the achievements of Weinbrenner at Karlsruhe, Moller at Darmstadt, or Klenze at Munich are by any standards astonishing. The first part of the book is by Dav...
Union Pacific Railroad's Averell Harriman had a bold vision to restore rail passenger traffic decimated by the Great Depression: create ski tourism in Idaho's remote Wood River Valley. A $1.5 million investment opened Sun Valley in December 1936 with a lavish lodge, luxury shopping, Austrian ski instructors and extensive backcountry skiing. Prestigious tournaments featured the world's best skiers. Chairlifts invented by Union Pacific engineers serviced skiers quickly and comfortably. Ski instructor and filmmaker Otto Lang recalled that seemingly overnight, it became "a magnet for the 'beautiful people,' a meeting place for movie stars and moguls, chairmen and captains of industry, Greek ship...
Karlsruhe 1817. Oberbaudirektor Friedrich Weinbrenner ist auf der Höhe seines beruflichen Erfolgs: Unter seiner Leuitung entwickelt sich die junge barocke Residenz zu einer Hauptstadt des Klassizismus. Doch als ein Bäcker aus dem Dörfle, dessen Tochter bei Weinbrenner in Stellung ist, tot aufgefunden wird, muss der Baumeister um seinen Ruf fürchten... Petra Reategui, geboren und aufgewachsen in Karlsruhe, war nach einem Dolmetscher- und Soziologiestudium Redakteurin bei der Deutschen Welle. Heute arbeitet sie als freie Autorin in Köln.
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