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My brain is getting heavy and dizzy. But hold on, this is the final part that you really need to know. Talking about being kind to yourself may sound like kindergarten teacher advice. But even cynics should care about self-compassion - especially if they want to be resilient.
Otak gue udah mulai berat dan pening. Tapi tahan dulu, ini bagian akhir yang harus lo tau banget. Bicara tentang berbuat baik kepada diri sendiri barang kali terdengar seperti nasihat guru di taman kanak-kanak. Tetapi bahkan orangsinis pun harus peduli tentang menyayangi diris endiri atau self-compassion terutama jika mereka ingin menjadi tangguh.
Whatever you are doing there, I am unable to know it. These eyes are limited, but not the inner eyes of trust that will always see you every day. Remember my words, that I have decided to allow you to stay in this heart, a sign that you have a place in my heart and heart, forever.
There is no growth in your life without change. And there is no change without loss. You’ve got to let go of some old stuff. And there is no loss without pain. God wants to give you all of that — but it starts with his Word. Through the Bible, God recreates our life. When I feel like I’m at the end of my rope, God uses the Bible to give me a fresh start, a do-over. The Bible calls it being “born again.”
Wahai separuh hatiku, dari Sabangsampai Merauke, aku kini sedang bersandar pada bantalan-bantalan rindu yang menggunung. Sesungguhnya kita memang terbentang jarak, tapi kita masih dapat menikmati langit yang sama.
Caring for others provides benefits that most people often don’t experience at their day jobs. We all have a desire to feel needed and the role of caregiver does that, which is a great feeling. It also gives a greater meaning and purpose to our lives, helping us to refocus on the more important things in life – our relationships with the people we care about.
Berserah kepada Tuhan bukanlah sikap pasrah yang pasif, fatalisme, atau alasan untuk bermalas-malasan. Ini bukan berarti menerima status quo. Hal ini dapat berarti sebaliknya: mengorbankan hidup Anda dalam perlawanan terhadap kejahatan dan ketidakadilan atau penderitaan untuk mengubah apa yang perlu diubah. Kita ingin memiliki semuanya dan melakukan semuanya dan menjadi kesal ketika hal itu tidak terjadi. Kemudian, ketika kita menyadari bahwa Tuhan memberikan karakteristik yang tidak kita miliki kepada orang lain, kita menanggapinya dengan iri hati, cemburu, dan mengasihani diri sendiri.
It's a memoir of the journey of a school principal who conducted research in the endogenous hinterland of Baduy culture to find an accurate education system for non-formal schools based on local wisdom. This book is dedicated to Indonesian & worldwide education accompanied by an album containing songs with emotional nuances for every event within.
This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region. This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.
This book explores the attribution and local negotiation of cultural valuations of artistic and art-institutional practices around the world, and considers the diverse ways in which these value attributions intersect with claims of universality and cosmopolitanism. Taking Michael Herzfeld’s notion of the “global hierarchy of value” as point of departure, the volume brings together six empirical studies of the collection, circulation, classification and exhibition of objects in present-day Brazil, China, India, Japan, South Africa and Indigenous Australia in light of Europe’s loss of global hegemony. Including reflections by a number of senior scholars, the chapters demonstrate that the question of valuation lies at the heart of artistic and art-institutional practices writ large – including museum practices, museum architecture, galleries, auction houses, art fairs and biennales.