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Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent – the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors’ signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakes theatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.
This volume was first published by Inter-Disciplinary Press in 2015. This volume explores the diversity of transnational catalysts of trauma and the interconnected nature of its global out workings. With reference to literary, filmic, visual and memorial representations, the volume reflects trauma as a multi-contextual impact emanating out of a macrocosmic and microcosmic social catalysts. The essays deal with broad issues of religious and political ideologies, imperial impulses, ethnic and national contestation and the myriad ways in which they drill down to the individual level - domestic violence and other violations, poverty and oppression, inequity, gnawing injustice and more. They also crisscross over domestic, national and global political frameworks. The essays speak to the imperative to represent painful collective pasts so as to alleviate its agony and acknowledge the right of its victims and perpetrators to give witness. By extension, it speaks to the practical and ideological imperative to engage issues of trauma, ethics and testimony.
This is a collection of lectures by 11 active researchers, renowned specialists in a number of modern, promising, dynamically-developing research directions in condensed matter/solid state theory. The lectures are concerned with phenomena, materials and ideas, discussing theoretical and experimental features, as well as with methods of calculation.Readers will find up-to-date presentations of the methods of carrying out efficient calculations for electronic systems and quantum spin systems, together with applications to describe phenomena and to design new materials. These applications include systems of quantum dots, quantum gates, semiconductor materials for spintronics, and the unusual characteristics of warm dense matter.
In Search of Singularity introduces a new “compairative” methodology that seeks to understand how the interplay of paired texts creates meaning in new, transcultural contexts. Bringing the worlds of contemporary Polish and Chinese poetry since 1989 into conversation with one another, Joanna Krenz applies the concept of singularity to draw out resonances and intersections between these two discourses and shows how they have responded to intertwined historical and political trajectories and a new reality beyond the human. Drawing on developments such as AI poetry and ecopoetry, Krenz makes the case for a fresh approach to comparative poetry studies that takes into account new forms of poetic expression and probes into alternative grammars of understanding.
This volume is the seventh in a series of proceedings on theoretical physics related to various aspects of the structure of condensed matter and to appropriate mathematical methods for adequate description. Three main topics are considered: conformal symmetry, central charge, condensation of flux; rigged string configurations, Yang-Baxter equations and their applications in solid state physics; and energy band structure in solids.
Annotation Proceedings of the 7th International School on Theoretical Physics, held in Myczkowce, Poland from September 11-18.
A beneficiary of the pioneering incorporation of sound and synchronicity into cinema, the Hollywood musical became the most popular film genre in America’s thirties and forties. Its eastward migration resulted in a barrage of Polish screen musicals that relied on the country’s famous cabaret stars, while in the Soviet Union it inspired the audience-pleasing kolkhoz musicals of Ivan Pyr’ev and their urban counterpart, directed by Grigorii Aleksandrov. Like Stalin, Slavic moviegoers delectated tuneful melodies, mobile bodies in choreographed dance numbers, colorful costumes, and the notion that “all’s well that ends well.” Yet Slavic versions of the musical elaborated scenarios that differed from the Hollywood model. This volume examines the vagaries of this genre in both countries, from its early instantiations to its contemporary variations almost a century after its dramatic birth.
This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony. The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age. Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Das Lesebuch umfasst 17 Geschichten, die zeigen, wie faszinierend und erkenntnisreich Theatergeschichte sein kann. Erzählt werden sie von Theaterwissenschaftler*innen, die ihre Forschung damit einem Lesepublikum näherbringen. Es geht um die Elektrifizierung von Theatergebäuden, den Walkürenritt in der Zirkusmanege, eine Frauenbewegung im deutschen Theater um 1910, selbstbewusste Roboter in einem Science Fiction-Drama, den Papagei einer Opernsängerin, verbotene "Betten-Dramatik", einen desillusionierten Produktionsdramaturgen, altmodische Seepferde und Nixem im Wiener Augarten u. v. a. m.
The history of the Balkan Peninsula of the last two centuries is marked by deep transformations and upheavals. The emergence and disappearance of states, ethnic conflicts and wars, changes of political systems, economic crises, migration movements, and natural disasters are the more visible of such upheavals. Most of them have been experienced as deep crises that forced people to adapt to often radically new situations. All too often crisis management became a permanent way of life. The included essays focus on the cultures of crisis and on the reactions of societies and individuals to them: on their impact on everyday life, on peoples' strategies of coping, on the processes of adaptation, and on peoples' attitudes. (Series: Ethnologia Balkanica, Vol. 19) [Subject: Sociology, Balkan Studies, Politics, Migration, Crisis Management]