Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Asia Alfasi
Biography of Asia Alfasi, currently Illustrator/Graphic Novelist at Birmingham Repertory Theatre, previously Graphic Novelist at Bloomsbury and Graphic Novelist at Bloomsbury.
UK Feminist Cartoons and Comics
This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book high...
The Muslim Diaspora (Volume 1, 570-1500)
This first volume covers the development of Islam in the period from the birth of Muhammad in C.E. 570 through 1500, during which Islam grew to dominate the area which has come to be known as the Middle East. Along with their religion, Muslims carried their culture, their goods, and their innovations to the far corners of the globe. Their contributions to Western civilization-such as new kinds of agriculture (irrigation, oranges, sugarcane, cotton), manufactured goods (satin, rugs, paper, perfumes), and technology (astrolabe, compass, lateen sail)--are set out in detail.
Platform for Art
Featuring text by Alex Coles, and visually stunning reproductions of works by the participating artists, Platform for Art is the only comprehensive survey of what is one of Londons most important and thought-provoking art programmes.
Agency in Transnational Memory Politics
The dynamics of transnational memory play a central role in modern politics, from postsocialist efforts at transitional justice to the global legacies of colonialism. Yet, the relatively young subfield of transnational memory studies remains underdeveloped and fractured across numerous disciplines, even as nascent, boundary-crossing theories on topics such as multi-vocal, traveling, or entangled remembrance suggest new ways of negotiating difficult political questions. This volume brings together theoretical and practical considerations to provide transnational memory scholars with an interdisciplinary investigation into agency—the “who” and the “how” of cross-border commemoration that motivates activists and fascinates observers.
Catalyst
This anthology showcases new comics voices alongside more established creators as they all explore a single theme--"catalyst"--through the graphic short story form This collection of short stories presents pieces from established artists Asia Alfasi, Catherine Anyango Grünewald, Sonia Leong, and Woodrow Phoenix alongside work from up-and-coming new voices, with the aim of reflecting the diversity and wealth of talent in the UK comics scene. United by a single theme--"catalyst"--the contributors have each written and drawn an eight-page story to explore ideas of reaction and transformation. Edited by Ayoola Solarin, this provocative, intriguing, and revelatory anthology invites readers to consider the situations, people, and events that might accelerate change in their own lives and in our society as a whole.
Comics Unmasked
Subject: Exhiibtion catalogue published "on the occasion of the British Library exhibition ... 2 May-19 August 2014"--Title page verso
Digit
None
Critical Directions in Comics Studies
Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguisti...
