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"Sponsored by the Museum Education Roundtable"--Provided by publisher.
Using local language sources and every important archive, this major history of the formation of Kashmir shows precisely how the Kashmir Valley assumed the position it has come to occupy in postcolonial South Asia."--Jacket.
If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.
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International feminist art journal.
Sponsored by the Museum Education Roundtable, this is volume 37, Number 2 of the Journal of Museum Education (JME), published in the summer of 2012. This edition includes articles on the recent history of museum education; professionalizing of practice; museum evaluation, rebranding the museum, an examination on technological impacts and the role of the MER.
July 1941, Zagreb, German occupied Yugoslavia. Men in trench coats and fedoras came to our apartment and summoned us to report to the police station in the morning. The men were Ustase, the Croatian equivalent of the Gestapo who were implementing the plan to rid Europe of Jews.I was seven years old. This is my story.
Art museums, cases of beauty and calm in a fast-paced world, have emerged in recent decades as the most vibrant and popular of all cultural institutions. But as they have become more popular, their direction and values have been contested as never before. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States.
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