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A compelling history of the famous London club and its members’ impact on Britain’s scientific, creative, and official life When it was founded in 1824, the Athenæum broke the mold. Unlike in other preeminent clubs, its members were chosen on the basis of their achievements rather than on their background or political affiliation. Public rather than private life dominated the agenda. The club, with its tradition of hospitality to conflicting views, has attracted leading scientists, writers, artists, and intellectuals throughout its history, including Charles Darwin and Matthew Arnold, Edward Burne-Jones and Yehudi Menuhin, Winston Churchill and Gore Vidal. This book is not presented in the traditional, insular style of club histories, but devotes attention to the influence of Athenians on the scientific, creative, and official life of the nation. From the unwitting recruitment of a Cold War spy to the welcome admittance of women, this lively and original account explores the corridors and characters of the club; its wider political, intellectual, and cultural influence; and its recent reinvention.
On its first publication in 1979, Lejeune's The Gentlemen's Clubs of London rapidly established itself as a widely sought-after and quoted work around the world among those intrigued by and participating in the rarefied world of the famous clubs of London society. This is a new, thoroughly updated edition. This book lays forth the histories of the clubs, why and how each came into being, who belongs and belonged to which, how members are chosen, and how the clubs have changed down the generations - if indeed they have. This work tells of the ambiance and grace of the clubs, their privacies and eccentricities, and of the yarns, disputes and scandals to which they have given rise. Here are new and archival photographs of the clubs' interiors, ranging from the elegant to the snug, premises which are sometimes secret and quirky and sometimes grand, each unique and fitting the character and contributing to the needs and lives of its members.
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In Hey Presto! Swift and the Quacks, Hugh Ormsby-Lennon reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift's imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or "Mountebank's Stage." In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank's stage will disclose that missing link, long sought, that connects the dual objects of Swift's ire: gross corruptions in both Religion and Learning.
Originally published in 1932, A History of the Public Library Movement in Great Britain and Ireland is concerned with the rise and progress of the public library as it stood at that time. The establishment and growth of the public library may be viewed as part of the great social movement for the spread of knowledge among the poorer classes which took place in the late eighteenth century and the early years of the nineteenth century. This movement was characterized by the establishment of various educational agencies, which are covered in this book, along with the introduction of the Public Libraries Act passed in 1850 and other legislation that followed.